Search Results for: plagiarism

Tuesday June 27, 2017

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Tuesday June 27, 2017

Canada’s Self-Loathing150

Partypooper150

July 1 is Canada’s 150th anniversary, but nobody seems particularly eager to join the party. The muted attempts at celebration have so far produced either awkwardness or embarrassment. A giant rubber duck, six stories tall, is supposed to arrive in Toronto Harbor on Canada Day, but its imminent appearance has been greeted by outrage over costs and suspicions of plagiarism. In March, the CBC, Canada’s national broadcaster, began televising a documentary series called “The Story of Us” to the almost instantaneous howling of Quebec and Nova Scotia politicians at what they regarded as significant omissions in our supposedly collective narrative. Resistance 150, an indigenous political movement, is planning to disrupt the anniversary itself.

June 22, 2017

The principal excitement of our sesquicentennial so far has been the fury of national self-critique it has inspired.

The irony is that Canada, at the moment, has a lot to celebrate. Our prime minister is glamorous and internationally recognized as a celebrity of progressive politics. We are among the last societies in the West not totally consumed by loathing of others. Canada leads the Group of 7 countries in economic growth. Our cultural power is real: Drake recently had 24 songs on the Billboard Hot 100 at the same time — for one shining moment he was nearly a quarter of popular music. Frankly, it’s not going to get much better than this for little old Canada.

So why is Canada so bad at celebrating itself? The nationalism that defined the country during the last major anniversary, the centenary in 1967, has evaporated. The election of Justin Trudeau has brought a new generation to power, a generation raised on a vision of history more critical than laudatory. We dream of reconciliation with the victims of our ancestors’ crimes rather than memorialization of their triumphs. (Continued: New York Times) 

Letter to the Editor, Hamilton Spectator, July 3, 2017
 
Cartoon didn’t do justice to Canada 150

RE: Celebrating Canada then and now, (editorial cartoon June 27)

During this year of celebrating Canada, it was very disappointing to see such a negative and incorrect editorial cartoon about how Canadians feel during this, our 150th birthday celebratory year.

I am not saying that there are some Canadians who have negative or frustrated feelings with various situations in our country, but those feeling were also present in 1967.

But if you are supposed to represent the majority of Canadians, then you are so far off the mark. Canadians are thrilled to be celebrating our country from sea to sea whether on the Via Rail 150 pass or the Parks Canada 150 pass.

Small communities are having street parties and large communities are having festivals. Big or small, loud or quiet, we are all proud to be Canadian. So fly that flag right side up and with dignity. True North Strong and Free!

Sheila Drury, Mount Hope

 

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The Latest Social Media Donkey Award unveiled…

It has become very apparent in recent years how social media, particularly during election campaigns, has empowered the wing-nut body politic. It used to be kept at a certain level of decorum and higher standard in the days before the Internet when letters editors separated the readable public commentary from the rantings of idiots. Social media, many argue, has democratized free speech by giving everyone with the ability to type words on a keyboard or into a “smart” phone a voice. Problem is, the idiot voices on social media now overwhelm the sophisticated commentary making it next to impossible to find any worthy substance in it. It is a forum for throwing around opinions and insults, a place to promote bigotry and accusing people of racism (and every ism for that matter). Where the wild frontier of unregulated virtual freedom of expression gives amnesty to pirates of intellectual property. It has become by default, a zone for which polite engagement is automatically greeted by rude and boorish behaviour. Pssst, there’s a soft-spoken mantra in newsrooms when it comes to dealing with this sort of aggressive online agitator: Don’t engage with them. In the vastness of cyberspace, the warning is don’t feed the trolls.

CanadianTruthNews

Some of our chat

Some of our chat

Introducing James Stewart, not the famous Hollywood actor, but “Teflon Jim”, as he goes by on Facebook. I had an interesting encounter with him on Facebook today that I’d love to share with my readers. Bottom line is, Jim doesn’t think it’s wrong to download cartoons or any image from the Internet and slice and dice those images and repost them on his many Facebook pages for his adoring audiences. He claims he’s got the captains of Big Social Media backing him up on this copyright free-for-all. While he denies altering my image, he says he downloaded the cartoon in some state, refusing to remove it at my request, and adding that I should be grateful he’s giving me the exposure to his FB audiences. Yeah, shame not on him, but shame on me for asking to remove my vandalized intellectual property. In this case it’s the artist defending his work who’s the troll in Jimmy’s world.

His view of artists, I found, is not very glowing, particularly for a card carrying member of the Green Party. Here’s some of James’ messages to us regarding our work:

If you post something on Facebook, it becomes public domain. People can do with it as they please. Those are the rules, please learn them. And whether or not you get your “Panties in a Knot” over it, the situation will always be the same.

You should be proud if someone shares your stuff my friend. If they go further to download it and send it out as something special, you should be more proud.

Yet nobody is going to put up with your whining and complaining “Mine Mine Mine” on Facebook. Just a fact. Also the rules.

It turns out he’s had other run-ins with others who’ve stumbled on their own work modified on his page:

I got the same crap over the artist who made this photo for a group he was in. Excellent Photo and very relevant to my group. This I did alter, taking his group name out of it, and it has been the front photo on my most popular video.

He demanded I quit using it, and even complained to Facebook after I told him to shove it! They sided with me, and I am glad: https://www.facebook.com/photo.php?fbid=10201925658244310&set=o.202199749840008&type=1&theater

After I mentioned to him that I found it quite rich when people who are first to scream out against the unethical behaviour of those in authority prove themselves to be unethical, James answered back:

No in fact this has been discussed at great length and decided upon. The only people who give a rats ass about it are the artists.

*Note for Artists*

Do not share your art on Facebook if you get your “Panties in a Knot” if someone crops it or changes it or uses it in any way.

Those are the rules. You signed them when you signed up to Facebook, and the same is true on all Social Media. NO Social Media is on your side on this issue.

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Click for context

He even used the opportunity to compare intellectual property with his green energy passion:

…it is kinda like arguing over Oil Jobs and how many people would be put out of work by Alternative Energy. It would actually increase the work, but less profit for the Elite.

Artists make art to be seen. They have a tie to it as they made it, and that I understand. Yet it is either kept in a closet or seen. You cannot help what people do with art. Best it be seen, rather than not, and as I said, if you are so insecure about it… keep it in your closet.

That’s Art in the Social Media World according to James Stewart. Social Media’s got his back, and if you’re an artist who likes posting work on the Internet, James will be there ready to carve it up and do with it what ever he wants to. You may recall the last time I asked someone to remove altered editorial cartoons. He took his time, but I think in the end he learned his lesson. Thing is, we never got to know the actual name behind the Twitter account.

A man with a hat

A man with a hat

But we know who James (not the actor) Stewart is! According to his Linkedin page he’s into Marketing and Advertising, and used to be a newspaper guy working at the two big dailies in Saskatchewan, the page goes into great blah blah blah about how things didn’t go right. He now  sells vehicles online (yeah, I know, not so green) using his vast knowledge of advertising. His summary reads, “Now to retire comfortably, but always open to advice, new ideas, and possibilities.” It seems his new ideas today involve managing a host of Facebook pages. In his own words they included “Free Energy, RBE, Occupy, Liberty, Canadian Truth and more.” Canadian Truth News Eh, is the page I came across my altered cartoon. I’ve been since blocked from viewing the page, but it’s filled with an abundance of left leaning, environmental content, plus a lot of usual anti Harper stuff that there’s no shortage of on social media.

SocialMediaJackAssIf you’ve got nothing better to do with your time, why not visit James Stewart on his many Facebook Pages. Surely you’ll find quite a range of Canadian offerings he’s decided look better reworded his way instead of what editorial cartoonists originally had in place. Editorial Cartoonists can report their defaced artwork, such as the examples shown below, to Facebook admin. And don’t forget to thank James (Teflon Jim) Stewart, not the famous one but the man with a hat, who calls himself, in his own words “someone who does stuff unselfishly for humanity…”

Updates (September 24, 2015, 12 hours after complaint made) on James Stewart’s refusal to remove intellectual property. This email letter to me from Facebook admin:

Hi,

Thanks for bringing this matter to our attention. We removed or disabled access to the content you reported for violating the Facebook Statement of Rights and Responsibilities. We understand this action to resolve your intellectual property issue.

This is a no-reply email. If you’d like to report something else, or if you don’t believe this action resolved your issue, please fill out this form:

https://www.facebook.com/help/contact/208282075858952

If you have any additional questions, please visit the Intellectual Property section of our Help Center:

https://www.facebook.com/help/intellectual_property

Thanks,

The Facebook Team

(October 1, 2015) James Stewart might want to think again about returning to his habit of reposting altered intellectual property.  Artists are going beyond the sort of shame tactics one sees above that is the precursor to having their work forcefully removed by social media admin.  Stubborn, bullheaded behaviour like that exercised by James Stewart is being dealt with in the legal courts. While having images quietly removed from Facebook users pages might not school copyright pirates, I’m pretty sure if people are having to reach into their bank accounts to cover damages a lesson will learned the costly way.

 

No Jimmy Stewart, you can’t modify #cartoons & repost them on Facebook. That’s called #plagiarism and it violates…

Posted by Graeme MacKay – editorial cartoonist on Wednesday, September 23, 2015

Why @HarpersGotaGos GotaGo

HarpersGotaGoUnknownIt’s election time in Canada and with it comes a golden period of time when satirists are busy skewering the very folks begging for our votes. Social media websites and apps have enabled anyone with a political sense the ability to satirize and join a realm once dominated mostly by newspaper columnists and editorial cartoonists. One doesn’t have to search far on the world wide web to find altered zinger photos of well known celebrities or politicians meant to mock them. Some are hilarious and great, some not so much. In almost every case these funnies often have no source and there is never any credit given to the author or photographer whose work was used in the humor.

Increasingly, the satirical value of editorial cartoons are being re-posted on social media by individuals or action groups determined to score points against political opponents. Because we cartoonists sign these cartoons with our monikers the source citations are automatic. Based on the number of shares, retweets and re-postings that editorial cartoons generally receive online it isn’t hard to argue that the Internet has boosted this form of satire immensely and kept their shelf life going way longer compared to when audiences only read them on newsprint. Which leads us naturally to the 21th century lament that if only each artist/musician were paid for each time their work was viewed/heard online, we’d live in a perfect world, but let’s leave that discussion for another time. By in large, sharing editorial cartoons is encouraged by cartoonists. It keeps the art form relevant and very much alive, and even though compensation is low or non-existent, artists hope that eventually a fair pricing system will  be worked out sometime in the not so distant future.

I make it very easy to share my work since I post cartoons to this site, on Facebook, on Twitter. My newspaper, the Hamilton Spectator, post them to spec.com, and my syndicate Artizans.com post them for sale on its site, and then numerous newspapers and aggregators will pick up my cartoons and re-post to theirs. So after one cartoon has been uploaded to the internet it gets duplicated many multiple times as it’s sent out in various directions without any of the artist’s control thereafter.

Twitter-HarpersGotaGoEventually, some of those orphaned copies end up in the dark recesses of the cyber sewer when they appear on the screens of dubious characters nicely stereotyped as social misfit adults living in the basements of their mothers, and clad only in their underwear with their photo apps busy chopping away. That’s the picture I began to see of the person I had brief encounter with on Twitter with an account that goes by @HarpersGotaGo (@HGG).

Editorial cartoonists, like me, have been performing some voluntary service for our craft by policing the rising popularity of sharing editorial cartoons on the Internet. Those who rip off other cartoonists ideas are monitored, and those who alter cartoons to fit their own agenda are immediately called out. It’s quite easy to pin down authentic work from anonymous satirists based on their propensity to use the font Comic Sans, as this Washington Post story points out. Here’s a recent example of a Bob Englehart cartoon on the June 2015 Confederate flag controversy that was altered by a group celebrating the US Supreme Court’s decision to uphold marriage equality – perhaps for noble intent to get a message out, but a definite no-no since permission was never granted by the artist.

Harpersgotago1   Harpersgotago5When @HGG, whose true identity remains a mystery, tweeted me a cartoon that was so obviously reworded with the moniker of the artist erased out an alarm bell went off in my head. The cartoon had the familiar style of Malcolm Mayes, longtime editorial cartoonist at the Edmonton Journal. I called the account holder out on it and then he/she got lippy.  Further inspection of @HGG’s photo archive found various examples of unauthorized hatchet jobs on cartoons by Tim Dolighan, Patrick LaMontagne, Greg Perry, Steve Nease, and recent National Newspaper Award winning cartoonist Bruce MacKinnon from the Halifax Chronicle Herald. One thing editorial cartoonists have in common is the keen ability to tell one cartoonist’s style from another even when the moniker is rubbed out. For the record, none of my work was posted, intact or altered.

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Still, I nicely eluded to @HGG with my limited tweet abilities that the alterations were breaches of copyright, and with the erasing of monikers and hosting of the cartoons on the account @HGG was essentially guilty of plagiarism.

Then I was blocked, as were the other cartoonists I cc’d and whose work was altered without permission.

It’s ironic that the account holder @HGG, who has every right to satirize the Prime Minister for unethical behavior, proves to have his/her own unethical behavior by plagiarizing the true foot soldiers of Canadian satire. Some may ask why bother paying attention to this character, he/she doesn’t have much of a following, but the account holder seems to have no problem allowing these altered copies to remain on their photo feed making them available to whomever wants to retweet them. Shame on @HGG, and if anything @HarpersGotaGosGotaGo.

HarpersGotaGo

What does it say about people that this image got 11 retweets!

Update – Despite being reported to Twitter administration by several affected cartoonists nothing has been done to discipline @HarpersGotaGo (@HGG). Reporting, and indeed this blog entry would not have even been necessary were it not for @HGG’s passive reaction to being called out for altering editorial cartoons and his/her stubborn refusal to remove the above examples. Usually, when I politely point out unauthorized altered cartoons people are generally apologetic, and take the offending images down, and everyone moves on. Not @@HGG! It’s like a virtual staring contest, and admittedly it has become personal. Yes, the above images were finally cleared from the archives after the public shaming began, and there has been an attempt by @HarpersGotoGo to create original content (despite poor spelling and grammar – see right). Yet, even a week later, after being called out, the icon bearing a drawing of Stephen Harper by Malcolm Mayes remains on this account (cropped from one of these cartoons), and I’ve been labelled a troll for persisting in the shaming by this obstinate character. Another twitter user was threatened by @@HGG to have his computer hacked into for daring to call the plagiarism out. Meanwhile, @HGG tweets continue to rail against the evil Prime Minister, while paying no mind to the unethical reuse of intellectual property. We could all do cartoonists a favour by schooling this individual and his/her blind followers on Twitter. Thanks to websites like the Daily Cartoonist, the message is getting out.

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If there is one good that comes from the poor behaviour of one bullheaded user on Twitter it is that they become a useful example of how hijacking intellectual property serves as a warning to others. Way to go @HarpersGotaGo!

Update, Oct 2017: RIP @HarpersGotaGo. It was renamed Justin’sPromise after Harper’s Conservatives lost in the 2015 election and the Twitter handle appears to be abandoned. The last tweet being sent out Feb 8, 2016.

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July 29, 2008

Well, the above cartoon is not my finest work but I can keep my head up knowing I was able to draw something on the issue of smog and the coming Beijing Olympics without having to rely on using two very overused visuals, the gas mask, and the 2008 logo: (as has been the case with other cartoonists) here, here, here, here, here, here, here, and here. No offence to my cartoon friends, but the logo parody has been done to death, hopefully restraint can been exercised in the weeks to come so we don’t have to see another. Further apologies to other cartoonists whose similar work I neglected to link to.

This isn’t to say logo parody cartoons shouldn’t be done, but I think they should be drawn sparingly, and only if there’s a great idea. The concept of showing the stylized figure depicted on the Beijing Olympic logo as a truncheon bearing police officer is a great visual, but I’m not sure even a week to go before the games begin many people are familliar with the actual logo.

Among many editorial cartoonists I talk to logo cartoons are often viewed as being easy in and outs enabling the cartoonist to take the rest of the day off. It doesn’t take much to punch in the words ‘Beijing’, ‘Olympic’, and ‘logo’, into Google images to find a wealth of visuals of varying resolution, before manipulating one and handing it off to the editor for approval.

Cliches, metaphors, and proverbs are very important instruments cartoonists use to draw their commentary. While I and others groan at the overuse of some of the gags and scenarios seen in editorial cartoons editors tend to gobble them up, certain that the readers are going to easily understand what point is being made. Sometimes they become so overused it makes it easier for the lazier cartoonists to blatantly plagarize others.

On this occasion let’s review some of the common editorial cartoon cliches:

Please feel free suggest new ones through the comment box to add your own to the list.

THE OLD…Puzzle with a missing piece(s) editorial cartoon.
THE OLD…Painting oneself in a corner cartoon.
THE OLD…Walking the plank cartoon.
THE OLD…Large fish eating the medium-sized fish eating the small fish gag.
THE OLD…Things proceeding as slow as a snail/turtle gag cartoon.
THE OLD…Image of a beaver representing Canada.
THE OLD…Image of Uncle Sam representing America.
THE OLD…Donkey and Elephant representing the political parties in the U.S.
THE OLD…Corporate logo incorporated in a cartoon gag (i.e. Olympic rings for wheels on a tank. Bush choking on an Pretzel in the shape of the Enron logo.)
THE OLD…Manipulation of a flag, national symbol, coat of arms, etc
THE OLD…Sinking Ship cartoon.
THE OLD…Hear no evil. See no evil. Speak no evil cartoon.
THE OLD…Combination of two unrelated current events.
THE OLD…Loon on a Canadian dollar drowning/choking/spashing during currency fluctuations cartoon.
THE OLD…Ostrich head buried in the sand gag.
THE OLD…Taxpayer being held upsidedown with money falling out
THE OLD…Blind justice statue editorial cartoon.
THE OLD…Incorporating popular cartoon characters iE: Homer Simpson, Mr. McGoo, Peanut’s characters, etc. in an editorial cartoon.
THE OLD…Adding irony/humour to illustrations of famous photographs editorial cartoon (ie: the Hindenburg blowing up)
THE OLD…Dividing a continent/country up and pointing to different regions with satirical names gag.
THE OLD…naughty pupil writing lines on a chaulkboard cartoon.
THE OLD…”kick me” sign on the backside of a politician gag.
THE OLD…Adam and Eve in the garden of Eden image.
THE OLD…finger in the dike cartoon.
THE OLD…New arrivals to hell cartoon
THE OLD…labyrinthe image to convey, timelines, bureaucracy, etc.
THE OLD…target plastered on a person image marking imminent firing, defeat, death, etc.
THE OLD…circling vultures image to convey the same thing as painted on targets
THE OLD PIG…representing gluttony
THE OLD…peace dove altered to convey no chance of peace
THE OLD arrow going through someones’ head
THE OLD big politician holding another less big politician up as a puppet
THE OLD jumping out of a cake
THE OLD gas station imagery: pump hoses like snakes, guns…whatever
THE OLD alterations of gas/gallon signs

I’ve discovered something new pertaining to what’s popular among the gag cartoonists when it comes to cliches, but it could very well include editorial cartoonists. A cartoon editor at Prospect, a monthly British general interest magazine, has ranked cartoon cliches in order of popularity based on what’s subitted for publication. From First Draft, The Prospect Magazine blog, here are the top 20 cliches used by cartoonists:


20. Confessionals
19. Medieval sieges
18. “Back in 5 minutes” signs
17. Adam and Eve
16. Cavemen
15. Fairy Tales (ie: The 3 Bears, 3 Little Pigs, Rapunzel)
14. Business meetings
13. Ordering in a restaurant
12. Witch hunts
11. Hell
10. The Grim Reaper
9. Job interviews
8. Doctor appointments
7. Heaven
6. Goldfish bowls
5. In/Out trays
4. Gurus
3. Smoke signals
2. Psychiatrist couches
1. Desert Islands