Cartooning

Sacramento Review

Over the past few days I gathered in Sacramento with editorial cartoonist colleagues at the annual conference of the AAEC (Association of American Editorial Cartoonists.) How wonderful it was to get together with old friends and make new ones.

Beyond the collegial atmosphere found in the cocktail lounges, there was a packed schedule of presentations from across the editorial cartoon spectrum.  Our friends in New Zealand were in full force led by Kiwi powerhouse Sharon Murdoch, and backed up by Rod Emmerson, Nigel Buchanan, and Toby Morris.

I turned 50 during the convention, and was presented this wonderful caricature drawn by the great Brian Gable of the Globe & Mail. It was followed by a rousing rendition of Happy Birthday by convention attendees!

We Canadians took to the podium, first by our godfather, Terry Mosher AKA Aislin, who extolled the virtues of the slate of Canuck cartoonists and our perspectives of the U.S.A. satirizing in the era of Donald Trump.

Yours truly, alongside ACC (Association of Canadian Cartoonists) President Wes Tyrell, presented a short documentary praising the importance of local cartoons. We included a slideshow featuring the need for regional cartoons, and as an example, the recent repeal of the sex-ed curriculum in Ontario was highlighted.

Ward Sutton, the true man behind the Onion’s parody editorial cartoonist Stan Kelly had the audience rolling with laughter with his genius cartoons and his rise to stardom.

Another highlight was a presentation entitled, “Evil Editors & Pandering Publishers”, by Rob Rogers, formerly of the Pittsburgh Post-Gazette. The 25 year veteran of that newspaper was unceremoniously terminated after he refused to water down his criticism of the Trump administration. A series of his cartoons were spiked by editors leading to an ugly divorce and an insulting severance package. Rob, standing by his principles, has been suffering considerably, and while he knows the newspaper’s brand has received damage, he leaves many friends still working in the newsroom whom he wishes no ill-will.

A very emotional slide-show was presented by California graphic novel cartoonist Brian Fies who chronicled the tragedy of his home burning down during one of that state’s horrendous brush fires. “A Fire Story” is a compelling short documentary which won an Emmy Award. As Brian stated to our gathering, “it’s great to win an Emmy, but I’d rather have my old house back.”

AWARDS

Nicaraguan cartoonist Pedro Molina was presented with the Courage in Cartooning Award, on behalf of the CRNI (Cartoonists Rights Network International) by Malaysian editorial cartoonist Zunar. The Locher Award for aspiring editorial cartoonist went to the talented Charis Jackson Barrios of NYC. In recognition of those whose cartoons are rejected by editors, a competition ensues among members for the Golden Spike Award. This years’ recipient was Rob Rogers, for obvious reasons, and was awarded a giant golden spike. This year an inaugural award called “the Gable”, was issued by the ACC to an American cartoonist who embodies the most Canadian qualities in terms of world outlook. The 2018 recognition goes to Washington Post cartoonist Ann Telnaes.  

The icing on the cake at the closing gala at this extraordinary convention was being awarded the 2018 George Townsend Award, or “Townsie”. Since 2015, the Association of Canadian Cartoonists has presented the George Townsend Award, named after the first Canadian cartoonist, to two members (one English, another French) of the association it deems to have created the best drawing of the year. I was presented this award for a cartoon I drew February 3, 2017, commenting on the saturation of news related to President Donald Trump. What a huge honour for which I am truly humbled.

Graeme MacKay and ACC President Wes Tyrell at the awards ceremony

Big thanks goes to my friend, and the host of this convention, Jack Ohman, the very talented editorial cartoonist at the Sacramento Bee (also the 2016 Pulitzer Prize winner!)  Much of the pull to bring our Canadian bodies down to the California capital was due to his charm, but also to the dynamic enthusiasm of Canada’s Association President Wes Tyrell, whose leadership has energized our group in such difficult times facing our craft. A big tip of the hat goes to these two gentlemen, and we look forward to the next joint gathering of our two associations in Ottawa in 2020.

New Social Media Jackass Recipient

Congratulations, Ontario Liberal Press Secretary’s Office

Social media is a wonderful platform for editorial cartoonists to share their daily goods. Not only does it allow artists to avoid lag time between completion and public display, the results look way better on a screen than printed on newsprint. Best of all, instantaneous reaction from your following lets a cartoonist know how well one did on their cartoon. We cartoonists love it when people like, share, or retweet cartoons over the expanse of all social media – but we absolutely despise it when people mess with our work.  

The biggest pitfall of social media is that it has spawned an empire of Bush Leaguers – huge swaths of online amateurs with little or no training displacing professionals, be they musicians, writers, photographers, and … editorial cartoonists. Anyone with a computer can bluff their way into coming up with content by repurposing stuff found on the Internet, cutting out monikers, and posting stuff as if it was their own.

Take, for example, the above monstrosity, a piece of partisan propaganda using the works of unknowing artists, slapped together in an attempt to simulate a genuine work of satire, and shared on Twitter. Someone, using chop shop graphic software, thought the above piece was worthy enough to share – something better than from where the extracted element originated. Here’s where the caricatures actually came from:

February 15, 2018

That’s right, my depiction of Ontario PC leaders was clumsily added to a landscape possibly belonging to another unknowing artist.

A carefully crafted work of satire that took thought and effort to come up with, whose message is no different than something a writer or columnist might have composed. Would a member of the Ontario Liberal Press Secretary’s office willingly extract a paragraph from a newspaper columnist’s piece and not credit the author if the extract was used in, say, a press release? They would get holy hell if caught. So why would the Ontario Liberal Press Secretary’s Office feel it’s okay to steal the work of artists? Leave cartoons alone!

Three years ago Premier Kathleen Wynne addressed a gathering of the Canadian Association of Cartoonists at a reception in Toronto. She declared her support for the satire that we deliver in our political cartoons as an essential form of expression in a thriving democracy. The leader of the Liberal Party affirmed respect for the integrity of satire, whereas her party’s press secretary’s office demonstrates the complete opposite, and that is why they are bestowed the indignity of a Social Media Jackass Award.

There are more examples through @LibPressSec‘s Twitter account posting other unsourced works from unknowing cartoonists. Have a look, and maybe send them a note. Given that they’re posting fresh stuff to their account, and haven’t deleted the offending material, reworking cartoons for partisan purposes is okay in the Liberal Party Press Secretary’s eyes.

This one belongs to U.S. cartoonist Dave Granlund

Past Recipients of the Social Media Jackass Award. Each winner eventually removed stolen items from their feeds but it always took persistence:

Canadian Pride

“Teflon Jim” Stewart

HarpersGotaGo

UPDATE (March 3, 2018): The offending photoshopped cartoon involving my work was deleted, but noticeable were other repurposed cartoons belonging to other artists. The account holder @LibPressSec made no attempt to make contact with an assurance that they’ll stop doing this. With a provincial election fast approaching it’s expected they will.  Let’s keep an eye of them.

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Monday January 1, 2018

HAPPY NEW YEAR!

I’m off for a few days, returning Tuesday, January 9th. In the meantime, follow me on Twitter, Facebook and Pinterest…

               

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Latest Donkey Award goes to: Canadian Pride

Congratulations Facebook Fan Page Canadian Pride, you are the latest recipient of my Social Media Jackass Award. Canadian Pride follows in the footsteps of other online notables Harpersgotago, and “teflon Jim” Stewart. Both of those jackasses were caught repurposing others’ cartoon work as their own, a practice, which unfortunately happens to a great many artists who put their art online. Canadian Pride went a step further by attempting to make money, without authorization, using my cartoon work for a design they were marketing on Facebook for purchase on a custom t-shirt company called Tee Chip Pro. A casual glance through Canadian Pride’s Reviews (boasting a 1.5 out of 5 star rating) with comments mocking the products they shill, to accusations of racism, to charges of other instances of design theft. The thought crossed my mind that Canadian Pride might have some connection to the alt-right Proud Boys group given its themes of protest against the left. However, there’s no way of telling who’s behind Canadian Pride, as the page is shrouded in anonymity, without lurking into the movement and details of Facebook likers of the page – Feel free to do your own investigation. Anyway, it is rather ironic that a group calling itself Canadian Pride uses an American company to sell its stolen work.

Without permission, Canadian Pride was caught on its Facebook page repurposing my depiction of a clown extracted from a May 29, 2014 editorial cartoon (right) for its own monetary benefit on shirts and other products for sale on TeeChip.com (left)

Nowadays, thankfully, enforcement is being levied against the pirates of intellectual property in the Digital Millennium Copyright Act, a U.S. copyright law that’s been around since 1996, but whose teeth seem to be getting sharper as time marches on and its might successfully fends off challengers. Social Media companies and reputable user submitted online marketplace companies are now marching in lockstep to avoid DMCA violations. Compared a laissez-faire snails pace approach from a few years ago, Internet companies act with little hesitation from beefed up legal departments, to claims of trademark and copyright infringement.

In my experience of filing two reports of misuse regarding this incident to Facebook and TeeChip.com, the powerful social media giant took less than an hour to remove the content, and the shirt company took longer than half a day.

A very satisfying sight to see after a report was filed

Canadian Pride is now using the online store Moteefe with a new Elect a clown design, which is probably someone else’s design being used without permission. Could it be yours?  The best advice is to keep one’s eyes peeled – this mysterious group hops around from one online marketplace to another, ripping of artist’s work, and repurposing stuff for their own financial gain. Sadly, they are not alone. 

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