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Thursday February 3, 2011

February 3, 2011 by Graeme MacKay

February 3, 2011

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Thursday February 3, 2011

Mubarak’s Chaos Theory: Did It Backfire?

“They are trying to create chaos,” said Mohamed Ahmed, one of the Cairo protesters, “This is what Mubarak wants.” 

Usually, it’s the revolutionaries who deliberately instigate disorder. In the early 20th century, the Russian revolutionaries even had a slogan: “The Worse, the Better.” 

Mayhem delegitimized the regime. The greater the disorder, the brighter were the prospects for the revolution. The radicals wanted failed harvests and poverty. They wanted government repression and bloodshed. They wanted to see the roots of society ripped up. 

More recently, al-Qaeda in Iraq adhered to the same strategy, hoping to foment a full-scale civil war. In the smoking ruins of Iraq, they could construct a brave new world. 

As W.B. Yeats wrote in his poem “The Second Coming,” when anarchy is loosed upon the world, “things fall apart; the center cannot hold.” 

But in Egypt there’s been a role reversal. In the main, the protesters have shown restraint. The Atlantic’s Graeme Wood reported that Tahrir Square in Cairo “reminded me of Burning Man,” with children getting their faces painted, and protesters clearing up the trash. 

Instead, it’s the regime that deliberately instigated disorder. The police were withdrawn from the streets of Egypt. Rumors were rife of official encouragement for looting and vandalism. 

And then the regime hurled an army of thugs and camel cavalry against the protesters — Tiananmen Square meets Mad Max. One witness to the violence said: “Mubarak lit the world on fire.” (The Atlantic) 

 

Posted in: International Tagged: Arab Spring, Cairo, down, Egypt, Hosni Mubarak, International, pyramids, shoe, stamp, step, uprising

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This website contains satirical commentaries of current events going back several decades. Some readers may not share this sense of humour nor the opinions expressed by the artist. To understand editorial cartoons it is important to understand their effectiveness as a counterweight to power. It is presumed readers approach satire with a broad minded foundation and healthy knowledge of objective facts of the subjects depicted.

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