Entertainment – mackaycartoons

Tuesday May 31, 2016

May 31, 2016 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, Editorial Cartoonist, The Hamilton Spectator – Tuesday May 31, 2016

Tragically Unhip – Tragically Hip fans cry foul after presale tickets scooped up in minutes

Many fans hoping to grab presale tickets to the Tragically Hip’s farewell tour this morning found disappointment instead, with tickets selling out quickly then appearing minutes later at a massive markup on resale sites.

Tickets to the summer tour, which begins July 22 in Victoria, went on sale at 10 a.m. local time this morning to registered users of the band’s fan club who got a presale code by email.

Demand was high for this last opportunity to see the iconic Canadian rock band, whose lead singer Gord Downie announced last week he has terminal brain cancer.

But fans cried foul when they found no tickets available for some shows on Ticketmaster within minutes — even though tickets were already being resold on StubHub.

In Vancouver, for example, at 11 a.m. PT, all the Ticketmaster tickets for the July 24 show were gone, but nearly 100 floor seats were being offered on StubHub for between $237 and $2,799 US per ticket.

The original prices were between $116 and $166 Cdn for the same seats, according to Ticketmaster’s website>. (Source: CBC News)

Cartoon modified from original publication date on February 26, 2009.

Thursday February 11, 2016

February 10, 2016 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Thursday February 11, 2016

Netflix border crackdown cuts off some customers, but unblocking services fight back

Yes, the Netflix crackdown on cross-border watching is real.

Customers worldwide have grown accustomed to sneaking over virtual walls to stream shows and movies restricted to other countries.

Now, Netflix is stopping some virtual travellers at the border, finally enforcing its age-old policy that says viewers aren’t allowed to access Netflix in other regions.

Meanwhile, unblocking companies that help virtual travellers defy the rules are fighting back. And some are already declaring victory in the battle to keep Netflix’s borders wide open.

Numerous customers with the unblocking company Unblock-Us started reporting technical problems soon after Netflix announced its crackdown on Jan. 14.

For a fee, unblocking services do the technical legwork to help customers hide their location so they can hop borders.

For example, the service would help a Netflix Canada customer watch Sons of Anarchy on Netflix U.S. The Canadian version doesn’t carry the show.

“Help,” wrote one border hopping customer on the Unblock-Us tech support site on Jan. 27, explaining that he lives in Toronto and can no longer stream content on Netflix UK.

Another customer posted, “I live in Norway and am currently using your service to watch American Netflix, but now it doesn’t work anymore.”

“Netflix blocked in Australia,” reported someone else.

Barbados-based Unblock-Us did not respond to CBC News’s request for comment. But a post on its site updated on Feb. 3 declared, “We have a solution.”

It said blocked customers need to contact the support team, which would “have some simple steps for you to follow” to resume service. (Source: CBC News)

Saturday January 16, 2016

January 15, 2016 by Graeme MacKay

By Graeme MacKay, The Hamilton Spectator – Saturday January 16, 2016

Hamilton gets Garth Brooks times 5

Garth Brooks has upped the ante to five record-breaking concerts at FirstOntario Centre.

Brooks initially announced that he and his wife Trisha Yearwood would perform one show at the downtown Hamilton arena on Saturday, March 26 at 7 p.m.

Within less than 45 minutes of tickets going on sale Friday morning for that show, however, four additional concerts were added to the venue in four separate announcements, the first released at 10 a.m. and the fourth released at 10:42 a.m.

The timing of the five FirstOntario Centre shows by the American country superstar are between March 24 and 27th.

“Garth Brooks has smashed his Hamilton and Toronto ticket sales record combined in 45 minutes,” Leigh Ann Pigue, advertising and promotions manager for Nashville-based promoter Varnell Enterprises, said in a statement. “He last played Copps Coliseum in Hamilton, Sept. 5, 1996, and SkyDome in Toronto, Sept., 6, 1996, and sold a combined 47,910 tickets. Today he has sold 54,048 tickets for FirstOntario Centre in Hamilton and tickets are still selling.”

Tickets for all shows are on sale now for $79.81 including service fees and HST, with an eight-ticket per purchase limit. (Source: Hamilton Spectator)

Monday, January 11, 2016

January 11, 2016 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Monday, January 11, 2016

How David Bowie told us he was dying in the ‘Lazarus’ video

Bowing out with typical style, David Bowie didn’t just release his last album ‘Blackstar’ to coincide with his 69th birthday last week, on January 8 – he was using it to say goodbye to the world.

An 18-month battle with cancer that hardly anyone knew about came to tragic end yesterday (January 10), but Bowie provided bleak hints about his terminal condition for his fans and followers in what was to be the final music video of his that was to be released in his lifetime.

Released only four days ago, the video for single ‘Lazarus’ was Bowie’s parting shot, opening with a blindfolded, fragile-looking Bowie laying in bed. His first words “look up here, I’m in heaven/I’ve got scars that can’t be seen” are now obviously an admission of his ill health, rather than just a fantastical musing on mortality. It soon becomes obvious that the bed he’s in is a hospital one and Bowie begins to float above it, signifying his transmutation to the other side – whatever, or wherever that may be. Watching it now, it’s a statement as bold as it is bleak.

As Bowie writhes around on the bed, trying to break free, another Bowie then appears, a Bowie clad in black and stood upright, a Bowie who can still pose, pout, pick up a pen and create. Inspiration hits him and he scrawls at speed in a notebook, while the other Bowie continues to convulse. As he writes, we see a skull sitting ominously on his writing desk, the spectre of death looming over Bowie and his final creation, before he steps backwards into a wooden wardrobe, a fitting kind of coffin for an icon of style and fashion.

Satirist William Hogarth used art to predict his own death in 1764

“His death was no different from his life – a work of Art,” explained Bowie’s producer Tony Visconti, in tribute. “He made ‘Blackstar’ for us, his parting gift. I knew for a year this was the way it would be. I wasn’t, however, prepared for it.” Creative to the very end, the ‘Lazarus’ video is a heartbreakingly sad way to bid farewell, but a more than appropriate one. (Source: NME)

Saturday November 14, 2015

November 13, 2015 by Graeme MacKay

By Graeme MacKay, The Hamilton Spectator – Saturday November 14, 2015

Hamilton’s film explosion ‘beyond manageable’

The director of Tourism Hamilton says film production in Hamilton has been exploding and the city needs to do a complete review of how the industry is being managed.

Susan Monarch says the combination of a low Canadian dollar and provincial tax incentives to schedule film shoots outside of the Greater Toronto Area has led to a deluge of movie shoots in Hamilton. That has caused all kinds obstructed streets and aggravation to people and businesses.

“In September, there were 18 productions on downtown streets. That is beyond manageable. We need to look at this,” said Monarch.

In 2014, the number of productions filmed in the city shot up to 100 from 75 the year before. So far this year, there have been 84, showing the city is in line to likely surpass last year’s totals.

“It has become a major industry. We need to sit back and look at what are we doing as a community,” Monarch said.

On the table are big hikes in film permit fees, currently only $29, but also increases in parking charges and rental fees for city-owned facilities.

Ward 3 Coun. Matthew Green, the chair of the BIA advisory committee, says: “We have now attracted this incredible industry to the city but the fees don’t reflect the impact it has in the community.”

He believes the city needs to create a graduated scale of fees based on the size of the production. Increasing the revenue stream for the city would go some distance in recouping administrative costs of the city’s film office, which looks after applications from production companies.

As well, Monarch said the film application process needs to be updated with greater oversight to make sure film companies live up to their obligations.

City staff will look into the issue and produce a report for councillors. (Source: Hamilton Spectator)

From the MailBag

The ultimate Hollywood North Destination by Peter E. Evanetz