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flute

Friday March 22, 2024

March 22, 2024 by Graeme MacKay

Both Bonnie Crombie and Pierre Poilievre's opposition to the carbon tax raises questions about their alternative plans for addressing climate change, leaving voters to wonder: if not a carbon tax, then what specific measures do they propose to tackle this urgent issue, if any at all?

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Friday March 22, 2024

Bonnie Crombie’s Flute Solo: A Discordant Note in the Symphony of Climate Action

Trudeau's unwavering support for carbon pricing in the face of opposition underscores its essential role in Canada's climate action, contrasting with Pierre Poilievre's lack of a credible alternative, emphasizing the imperative for pragmatic solutions in confronting the urgent threat of climate change.

March 14, 2024

In the ongoing symphony of global efforts to combat climate change, every leader must choose their instrument wisely. However, Bonnie Crombie, leader of the Ontario Liberal Party, seems to have selected a flute tuned to the dissonant chords of climate skepticism and political expediency. Her recent performance resembles less of a clarion call for urgent climate action and more of a discordant solo pandering to the whims of climate deniers, echoing the tunes played by her Conservative counterpart, Pierre Poilievre.

News: Bonnie Crombie rules out provincial carbon tax as part of Ontario Liberals’ 2026 election platform

Bonnie Crombie faces the daunting challenge of revitalizing the Ontario Liberal Party after a tepid leadership victory, navigating issues of party identity, fiscal clarity, grassroots rebuilding, and strategic seat selection amid a backdrop of historical decline and strong PC competition.

December 5, 2023

Crombie’s decision to rule out a provincial carbon tax and her attempts to woo climate skeptics through her flute solo are not just off-key; they’re detrimental to the urgent cause of climate action. While the world’s scientists and leaders harmonize in their calls for bold measures to curb greenhouse gas emissions, Crombie’s flute solo strikes a jarring note, pandering to those who seek to delay or deny the reality of the climate crisis.

By sidestepping meaningful climate policy in favour of a performance aimed at appeasing climate deniers, Crombie not only fails to hit the right notes but risks drowning out the urgent calls for action. In a time when swift and decisive measures are needed to avert the worst impacts of climate change, Crombie’s flute solo falls short of the mark.

Analysis: The carbon tax has its critics — do any of them have better ideas? 

September 9, 2023

Moreover, Crombie’s decision to prioritize political expediency over principled leadership raises concerns about her commitment to tackling the climate crisis head-on. While her flute solo may garner applause from a select audience, it does little to advance the cause of climate action or inspire confidence in her leadership.

In contrast to Crombie’s faltering performance, leaders around the world are orchestrating ambitious plans to transition to clean energy and reduce emissions. Crombie’s flute solo not only fails to contribute to this global effort but risks leaving Ontario out of tune with the rest of the world.

As the curtain rises on the defining challenge of our time, we cannot afford to be distracted by discordant solos or political posturing. Ontario deserves leaders who are willing to lead with conviction and courage, not pander to the doubts of the past. It’s time for Bonnie Crombie to set aside her flute and join the chorus of voices calling for urgent and decisive action on climate change. The orchestra is waiting, and the future of our planet hangs in the balance. (AI)

 

Posted in: Canada Tagged: 2024-06, axe the tax, Bonnie Crombie, Canada, carbon tax, climate change, climate skeptic, drums, flute, Ontario, Pierre Poilievre

Saturday June 7, 2008

June 7, 2008 by Graeme MacKay

June 7, 2008

Editorial Cartoon by Graeme MacKay, Editorial Cartoonist, The Hamilton Spectator – Saturday June 7, 2008

R.I.P. Hockey Night in Canada theme song

The Hockey Night in Canada theme song, considered by many as this country’s “second anthem,” has been silenced after talks between its creator and the CBC broke down late Friday afternoon.

Kevin Kemp, a lawyer representing composer Dolores Claman, said the broadcaster stopped the process: “We asked for a meeting to continue negotiations,” he said. “They weren’t prepared to agree to that.”

Just a few hours later, the CBC put out a statement saying that the broadcaster was “saddened” that it couldn’t reach a deal, and formally announcing a competition for a new theme song. The winner will receive $100,000.

The Hockey Night in Canada theme was written by Ms. Claman in 1968, and went on to become one of the most recognized tunes in the world. The future of the song has hung in the balance since 2004, when Ms. Claman and her agent sued the CBC, charging that they had used it in ways that were not covered by their contract.

Months of talks between the CBC and Ms. Claman’s representative, Toronto agent John Ciccone, ultimately proved fruitless. This week, CBC producer Scott Moore announced that the broadcaster would hold a competition to choose a new song if an agreement could not be reached with Ms. Claman.

At 4.59 p.m. Friday, one minute before an announced deadline of 5 p.m., Mr. Moore told Ms. Claman’s agent that they were not prepared to amend their previous offer for the continued rights to the song, and would go ahead with the proposed competition to find a replacement. (Source: Globe & Mail)


…And here’s the tune in all its glory…

 

Posted in: Canada Tagged: Canada, Canadian, CBC, ethnic, flute, Hockey, Hockey Night in Canada, Music, revision, singers, spoken word, theme, throat

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This website contains satirical commentaries of current events going back several decades. Some readers may not share this sense of humour nor the opinions expressed by the artist. To understand editorial cartoons it is important to understand their effectiveness as a counterweight to power. It is presumed readers approach satire with a broad minded foundation and healthy knowledge of objective facts of the subjects depicted.

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