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May 9, 2008

May 9, 2008 by Graeme MacKay

I’m such a nerd. It seems I’m the only one in the editorial department who can compare the rowdy Flambrarians enraged over a recent hike in property taxes to a famous cartoon drawn in the lead up to the American Revolution:

Nobody seemed to know about the cartoon I was talking about, even though I’ve seen it replicated all over the place, in t-shirts, wood carvings and tacky tapestries – the kind you see being hawked at U.S. state fairs. A really great HBO miniseries on the life of John Adams just wrapped up opened each segment with panning closeups of this cartoon accompanied by stirring drumbeat. The above cartoon is based on one which appeared in Ben Franklin’s newspaper The Pennsylvania Gazette on May 9, 1754, according to Early America.com. It appeared as part of an editorial by Franklin commenting on ‘the present disunited state of the British Colonies.’

The woodcut drawing entitled ‘Join or Die’ pictures a divided snake in eight pieces representing as many colonial governments. The drawing was based on the popular superstition that a snake that had been cut in two would come to life if the pieces were joined before sunset. The drawing immediately caught the public’s fancy and was reproduced in other newspapers.

In my strange view of the world it made for a natural application to the situation in Flamborough. It follows a gathering of a thousand or so angry citizens who packed a hockey arena to vent about the City’s decision to take the revenues of a Flamborough casino. It didn’t run. It appears as though the Join or Die part might only make matters worse. If people around this aren’t going to know what I’m talking about then it’s hardly going to prevent the Flam-bumpkis from wondering out loud.

Posted in: Cartooning, Hamilton Tagged: Benjamin Franklin, commentary, Flamborough, history, John Adams, Join or Die

Wednesday November 28, 2007

November 28, 2007 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, Editorial Cartoonist, The Hamilton Spectator - Wednesday November 28, 2007 Probe into hockey brawl between 8-year-olds A decision on whether to lay a criminal charge in connection with a hockey brawl involving eight-year-olds at a tournament in Guelph, Ont. will likely come on Wednesday, says a police spokesperson.Ê "It's the interaction between the two coaches -- whether or not that was a consensual fight or an assault," Sgt. Cate Welsh of the Guelph Police told CTV.ca on Tuesday.Ê Niagara Falls Thunder coaching staff allegedly spat at a counterpart with the Duffield Devils, Welsh said.Ê But what had everyone talking is the bench-clearing brawl erupting at the game's end on Friday, which involved such young players. Players for both sides belong to Novice AAA teams.Ê "This is a really rare incident," Richard Ropchan, executive director of the Ontario Minor Hockey Association told CTV.ca, adding he can't think of a similar one in his nine years with the OMHA.Ê "Certainly the fact that eight-year-olds are involved -- well, that certainly got my attention."Ê Ropchan added that the brawl "points right to the adults involved. You can't blame the kids for that."Ê Witnesses say there were cheap shots throughout the game, culminating with a fight. (Source: CTV News)Êhttp://www.thestar.com/news/canada/2007/11/26/ontario_leads_in_child_poverty.html Hockey, fighting, contact, brawl, coaches, aggressive, brutality, history, Roman, gladiators, Rome, war, violence, editorial cartoon, 2007

Editorial Cartoon by Graeme MacKay, Editorial Cartoonist, The Hamilton Spectator – Wednesday November 28, 2007

Probe into hockey brawl between 8-year-olds

A decision on whether to lay a criminal charge in connection with a hockey brawl involving eight-year-olds at a tournament in Guelph, Ont. will likely come on Wednesday, says a police spokesperson.

“It’s the interaction between the two coaches — whether or not that was a consensual fight or an assault,” Sgt. Cate Welsh of the Guelph Police told CTV.ca on Tuesday.

Niagara Falls Thunder coaching staff allegedly spat at a counterpart with the Duffield Devils, Welsh said.

But what had everyone talking is the bench-clearing brawl erupting at the game’s end on Friday, which involved such young players. Players for both sides belong to Novice AAA teams.

“This is a really rare incident,” Richard Ropchan, executive director of the Ontario Minor Hockey Association told CTV.ca, adding he can’t think of a similar one in his nine years with the OMHA.

“Certainly the fact that eight-year-olds are involved — well, that certainly got my attention.”

Ropchan added that the brawl “points right to the adults involved. You can’t blame the kids for that.”

Witnesses say there were cheap shots throughout the game, culminating with a fight. (Source: CTV News)

 

Posted in: Canada Tagged: 2007, aggressive, brawl, brutality, coaches, contact, Editorial Cartoon, fighting, gladiators, history, Hockey, Roman, Rome, violence, war

October 22, 2007

October 22, 2007 by Graeme MacKay

DRAWN SWORDS
Best political cartoonists don’t hesitate to slash their subjects, author says
Sunday, October 21, 2007
By Bill Eichenberger | The Columbus Dispatch

Editorial cartoonist Art Young, who worked for several Chicago newspapers in the early 1900s, had a simple motto: “To have a life as a caricaturist of the kind whose pictures ‘never hurt’ is my idea of futility.” Cartoonists such as Young, unafraid to hurt, are the inspiration for Donald Dewey’s new book The Art of Ill Will: The Story of American Political Cartoons, which looks at the development of the form from the Colonial period through the present.

“If they don’t hurt,” Dewey wrote in a recent e-mail, “editorial cartoons are just taking up space in a paper that might be used more profitably for a McDonald’s ad. . . . The cartoonist who worries about ‘alienating consumers’ isn’t worth your time, my time or anybody else’s. Unfortunately, there are far too many of them around.”

Similarly, in Dewey’s estimation, “A cartoonist who isn’t partisan isn’t worth looking at. What’s the point otherwise?

“Many of the rules for cartooning stem from syndication and a greater reliance on generic themes so nobody feels left out in Oregon about a reference to Pennsylvania.

“The usual result is toothlessness. Syndication has made cartoonists richer at the expense of the relevance of the form.”

The Art of Ill Will features more than 200 illustrations, including Benjamin Franklin’s 1754 image of a snake cut into pieces with the caption “Join, or Die” — considered the country’s first editorial cartoon.

Q: Can editorial cartoons turn elections?

A: I think it’s been demonstrated fairly clearly that cartoonists don’t swing elections. Even the fabled story of Thomas Nast bringing down Boss Tweed is more romance than fact. What really brought down Tweed was a New York Times expose in which a bookkeeper from Tammany Hall traced the passage of dollars from taxpayers to private pockets. (And even with this, remember, Tweed was re-elected to his City Council position.)

Another glaring example is Richard Nixon — every political cartoonist’s favorite subject for mockery since he had been vice president. But despite that, he was elected to the White House twice.

Overall, you would simply have to say that political cartoonists are preaching to the choir, not least because of the newspapers they are working for. Somebody in New York who reads Newsday regularly is not going to be exposed to the right-wing frothings of a Post cartoonist, and vice versa.

Q: To what should cartoonists aspire?

A: I would hope it would be humor and originality at the service of political relevance. In the best of cases, their images can outlive a given political issue or social event — witness Nast on the Catholics in the New York City schools, (Bill) Mauldin on Lincoln’s statue after Kennedy’s assassination. These have as much power today as when they were done.

Q: Early political cartoons were wordy, with loads of texts accompanying the drawings. Was the move away from that convention a positive one?

A: In my opinion, they definitely improved with fewer words, and this was inevitable given the newer cartoon vehicles (daily and weekly publications) and the enhanced printing methods.

The most interesting thing about the transition was the growing community of symbols.

Q: Our political cartoons have been full of racial and ethnic stereotypes, haven’t they?

A: The starting point for any discussion of ethnic-racial stereotypes is that they are created by the prevailing power structure.

Let’s take a very common example: the Irish drunk. In the 19th century, the English were as alcoholic as the Irish. In fact, penny gin almost crippled the country — so much so that the broken pub hours were introduced to discourage drunken bodies clogging up the main thoroughfares of London and Liverpool.

Which isn’t to suggest that the Irish have never been known to drink. But when they came off steerage in New York in the 19th century, they walked into an Anglo-Scots society that controlled, among other things, the media. Suddenly, they were the epitome of the drunkard in word and picture. The fact that they were poor didn’t help, either.

Posted in: Cartooning Tagged: aaec, commentary, Donald Dewey, editorial cartoonists, history

August 30, 2007

August 30, 2007 by Graeme MacKay

Letter to the Editor:

Re: ‘A war of facts and feelings’ (editorial, Aug. 31)

I enjoyed the editorial about the Canadian War Museum controversy, and Graeme MacKay’s “museum bombing” editorial cartoon on Aug. 30.

I suspect, however, there are a lot of people who may have missed the point in this controversy.

It stems from a poorly written paragraph, on an air display at the museum, that begins with the statement, “The value and morality of the strategic bomber offensive against Germany remains bitterly contested.”

The use of the subjective word “morality” and the fact that the balance of the paragraph is one-sided in opinion is the basis of our airmen’s outrage, and justifiably so.

While pointing out that 600,000 Germans died in the five-year bomber campaign, implying that our men were accountable for this immoral bloodshed, nothing is said about how the Allies were desperately trying to stop the production of the German war machine that was indiscriminately firing V1 and V2 rockets at the British Isles.

Nor was any mention made of the importance of bombing Germany to keep its air force occupied in the defence of Germany instead of trying to crush the D-Day landings and liberation of Europe.

While the museum questions our nation’s morality and the value of the air campaign in this paragraph, one would never guess from their interpretation that we were at war with the most powerful and perverse military regime the modern world has known.

It seems the museum lapsed into misguided political correctness over this issue and needed a blast of common sense or unbiased writing skills.

Hence my appreciation of MacKay’s cartoon and your editorial’s attempt to clarify the situation.

— Robert Williamson, Hamilton

Robert Williamson is a retired Canadian naval officer and a military historian.

* * * * * * *

Here’s the editorial …

by Kevin Cavanagh
The Hamilton Spectator
(Aug 31, 2007)

A fierce controversy reignited by a display in the Canadian War Museum illustrates the danger of letting emotions influence how a society records and knows its own history.

It also reminds us that sensitive and/or politicized outbursts can confuse a debate to the point where it detracts from the key issue.

The storm centres on a sign dealing with the Allies’ Second World War bombing campaign. Some Bomber Command veterans and their supporters demanded the museum remove the text which told visitors, “the value and morality of the strategic bomber offensive against Germany remains bitterly contested.” It also pointed out that 600,000 German people died in a five-year bombing campaign which had limited impact on the Nazi war effort until the very late stages of the fight.

Outraged veterans say the sign demeans the valour of the airmen, somehow casting them as immoral and accountable for the bloodshed.

Nothing could be further from the truth. The heroism and character of Canadian flyers, sailors and soldiers is beyond debate. Perhaps more than any conflict in history, the Second World War was a struggle between good and evil, a fight to save freedom from tyranny.

In the skies, nearly 10,000 Canadians died fighting the bomber war. The crews, prosecuting orders forged by military and government leaders, had no input on Bomber Command’s much-criticized policy of “strategic” bombing, which Sir Arthur Harris himself acknowledged was aimed at “the destruction of German cities, the killing of German workers and the disruption of civilized community life throughout Germany.”

Our veterans should stand proud of what they did to stop a dictator, and Canadians must be eternally proud of our veterans.

But in the case of the museum sign, the vets are wrong. The wording is accurate and does not second-guess or impugn their integrity.

There is a cruel, surely unintended irony that the very people who risked their lives to defend freedom would lobby and pressure a museum to censor a historical statement that, however disturbing, is true.

Neither the war nor the bombing of civilians were brought on by the Allies. Hitler provoked the world into conflict in 1939 by invading countries across Europe and beyond. His bombers indiscriminately blitzed British cities with death and destruction. Because the Nazis had chased Allied ground forces off the continent and back to England, the only way to defend against Hitler was to bomb Germany from the air.

But by the late stages of the war, after Allied ground troops returned to Europe on D-Day, the bombing policy was under growing criticism by some politicians, military, clergy and others. Many saw it as a slaughter of children and the elderly, trapped in a crumbling regime led by a defiant madman.

Long after the war, the most famous symbol of that ethical debate remained Dresden. In February 1945, about 12 weeks before the war would end in Europe, Canadians were among waves of Allied bombers which destroyed the eastern German city with tons of explosives and firebombs. It is estimated the raid killed between 25,000 and 40,000 people. Such was the inferno that its glow was visible to aircrew 160 kilometres away.

A few weeks later, in a memo to his military chiefs of staff, British Prime Minister Winston Churchill wrote, “the destruction of Dresden remains a serious query against the conduct of the Allied bombing.”

Our leaders admired the bravery of the aircrews, but archives show they debated the morality of this aspect of a war. Who was right?

That debate will and should continue. But the facts from Canada’s past should never be obscured or withheld from future generations. Our national museums must reflect the truth. This duty must be protected.

Posted in: Canada Tagged: commentary, history, Remembrance Day, soldiers, veterans

Thursday August 5, 2004

August 5, 2004 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator Ð Thursday August 5, 2004 Union Bribery Just Before Olympics Start Hotel workers in and around this Greek capital staged a strike Wednesday to demand double wages and an Olympic bonus as has been promised to security personnel for this month's games, Xinhua reports. It was the sixth strike in the past month by the union, which includes cleaning staff and kitchen personnel.Ê The hotel workers' union is demanding that monthly minimum pay rise for workers in hotels to compensate longer working hours and shorter holidays. The government has already promised bonuses to other personnel providing security for the Aug 13-29 Olympic Games. Despite the Olympics, tourism in Greece has dropped sharply, prompting government officials to call for an overhaul of vital services. The government, however, is trying to keep costs down as Olympic spending has skyrocketed. A total of 14,670 hotel workers are employed in greater Athens. (Source: Hamilton Spectator) Athens, Greece, Olympics, ancient, greek, urn, vase, history, pentathlon, javelin, discus, labour, strike, union

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Thursday August 5, 2004

Union Bribery Just Before Olympics Start

Hotel workers in and around this Greek capital staged a strike Wednesday to demand double wages and an Olympic bonus as has been promised to security personnel for this month’s games, Xinhua reports. It was the sixth strike in the past month by the union, which includes cleaning staff and kitchen personnel.

The hotel workers’ union is demanding that monthly minimum pay rise for workers in hotels to compensate longer working hours and shorter holidays. The government has already promised bonuses to other personnel providing security for the Aug 13-29 Olympic Games.

Despite the Olympics, tourism in Greece has dropped sharply, prompting government officials to call for an overhaul of vital services.

The government, however, is trying to keep costs down as Olympic spending has skyrocketed.

A total of 14,670 hotel workers are employed in greater Athens. (Source: Hamilton Spectator)

 

Posted in: International Tagged: ancient, Athens, discus, Greece, Greek, history, javelin, labour, olympics, pentathlon, strike, Union, urn, vase
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