Illustration

The Novemburger

Illustration by Graeme MacKay, The Hamilton Spectator – Saturday November 3, 2017

Today’s illustration featured on the front of the Saturday Hamilton Spectator:

Is it a thick patty? Dill pickles? Something crunchy? A secret sauce?

Hamilton’s most delicious fundraiser is proof that a good burger takes many forms.

Novemburger, the annual fundraiser for the United Way, kicks off this week. Seventy-five restaurants around Hamilton and Burlington will offer unique and delicious entries throughout the month, with $1 per burger going to the United Way of Hamilton and Burlington.

Diners can vote for their favourites at novemburger.ca. Two winners will be announced, for most Novemburgers sold, and Novemburger of the Year.

In celebration of Novemburger, we asked three participating restaurants to share their secret to a good burger. (Continued: Hamilton Spectator)

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Friday July 1, 2016

Editorial Cartoon by Graeme MacKay - Friday July 1, 2016 illustration, Canada, day, dominion, beaver, first nations, totem, Wilfrid, Laurier, Sir John, Macdonald, mountains, rockies, patiotism, Canadian

Illustration by Graeme MacKay – Friday July 1, 2016

Away from the desk for a while, Returning Wednesday, July 13.

It’s a good time to be Canadian.

Available at the MacKayCartoons Boutique

Available at the MacKayCartoons Boutique

Why? Because it’s Summer; School’s out, stores are closed, the legislatures have adjourned, the b-teams are running the media outlets, and rest, leisure, and frivolity are in high gear. This is my favourite time of the year: Long days, blue skies, warm days, movie nights, cold beer, bbq’d meat, trips to places you’ve never been, escapes to familiar destinations just for nostalgia sake, gathering with family and friends.

Saturday August 15, 2015

By Graeme MacKay, Editorial Cartoonist, The Hamilton Spectator - Saturday August 15, 2015 The Hamilton Spectator recenly put out an appeal for people to send in memories of their favourite local restaurants. (Source: http://thespec-stories.com/2015/08/14/flashback-restaurant-memories/) After the results came in and the eateries were tallied I was called on to draw some kind of map. Maybe it's my own experience with greasy spoons that an immediate visual lit off in my head at the mere mention of the words "map" and "diner", was the simple often under-appreciated image of a paper placemat. While at age 46 I'm too young to remember many of the locations on the map, the experience is quite familliar eating in similar retro establishments common all over North America. As a kid, I loved poring over the neat little drawings on paper placemats, particularly on road trips to the beach. I'd be totally in my element with my family, in a restaurant booth somewhere in northern Florida waiting for my order of chicken & fries in a basket while anticipating in the excitement that laid ahead gazing upon a welcome to state paper placemat map. It was a complete delight to use those memories as inspiration to come up with this map. illustration, hamilton, retro, vintage, cafe, restaurants, placemat, 1950s, 1960s

Click here for a larger image

By Graeme MacKay – Saturday August 15, 2015

Homage to the Paper Placemat

Source: Newseum.org

Source: Newseum.org

The Hamilton Spectator recenly put out an appeal for people to send in memories of their favourite local restaurants. After the results came in and the eateries were tallied, Spec reporter Saira Peesker was tasked to write the story, Librarian Tammie Danciu researched and dug up old archival photos, and I was called on to draw some kind of map. Afterall, I am a self confessed map-maniac. Maybe it’s my own experience with greasy spoons that an immediate visual lit off in my head at the mere mention of the words “map” and “diner”, was the simple often under-appreciated image of a paper placemat. While at age 46 I’m too young to remember many of the locations on the map, the experience is quite familliar eating in similar retro establishments common all over North America. As a kid, I loved poring over the neat little drawings on paper placemats, particularly on road trips to the beach. I’d be totally in my element with my family, in a restaurant booth somewhere in northern Florida waiting for my order of chicken & fries in a basket while anticipating in the excitement that laid ahead gazing upon a welcome to state paper placemat map. It was a complete delight to use those memories as inspiration to come up with this map.RB-HamMap-promo2

For sale at the mackaycartoons boutique: Redbubble has been authorized a non-exclusive royalty free license to use this illustration for display on a one time basis. Unauthourized duplication of this image is strictly prohibited. Please refer to contact information through http://www.mackaycartoons.net for re-use rights. By Graeme MacKay Hamilton, Ontario, Canada Illustrated between 1994-2015

 

Chronology of a front page illustration

By Graeme MacKay, Editorial Cartoonist, The Hamilton Spectator – Saturday July 25, 2015

By Graeme MacKay, Editorial Cartoonist, The Hamilton Spectator - Saturday July 25, 2015 Chronology of a front page illustration The illustration on today's front page of the Hamilton Spectator began mid-week with a vision explained to me by Saturday editor Cheryl Stepan as an illustration to promote a fireworks display marking the end to the 2015 Pan Am Games. Art Director, John Bullock, further envisioned the fireworks being let off by Pachi, the Pan Am mascot from a barge in Hamilton Harbour. The shape of the illustration was measured out which resembled a big letter T allowing for text on either side of the rocket smoke streams. A difference of opinion emerged on what to do with the background. I insisted on a black sky background, and John argued that it would be too difficult to read white text on black especially on newsprint. To me there was no sense putting fireworks on a white background. So when I finished drawing the firework bursts and rocket lighting Pachi on the barge I supplied a version with a white sky and another with a grey gradient transitioning from white to black. Side by side it made better sense to editors to go with the black sky version, and working with it John came up with the idea to lay the entire masthead atop the fireworks and voila, the resulting A1 illustration. cover art, illustration, cartooning, fireworks, Pan Am Games, Pachi, barge, reflection

The illustration on today’s front page of the Hamilton Spectator began mid-week with a vision explained to me by Saturday editor Cheryl Stepan as a graphic to promote a fireworks display marking the end to the 2015 Pan Am Games. Art Director, John Bullock, further envisioned the fireworks being let off by Pachi, the Pan Am mascot from a barge in Hamilton Harbour. The shape of the illustration was measured out which resembled a big letter T allowing for text on either side of the rocket smoke streams. A difference of opinion emerged on what to do with the background. 2015-07-25whitesky-coverI insisted on a black sky background, and John argued that it would be too difficult to read white text on black especially on newsprint. To me there was no sense putting fireworks on a white background. So when I finished drawing the firework bursts and rocket lighting Pachi on the barge I supplied a version with a white sky and another with a grey gradient transitioning from white to black. Side by side it made better sense to editors to go with the black sky version, and working with it John came up with the idea to lay the entire masthead atop the fireworks and voila, the resulting A1 illustration.

CAN_HS

LETTER

Spectator front page (July 25)

Graeme Mackay’s front page illustration was ingenious!

As a longtime subscriber to The Hamilton Spectator, I daily look for his brilliance in depicting current news, whether political or social. With keen insight and imagination, he often weaves humour with reality.

TO2015’s mascot, PACHI, is so lovable, one of the best ever in Olympic or Pan American Games. Daily, this spirited raccoon greets me as I open my refrigerator door.

And to include him with the spectacular fireworks accompanied by Boris Brott’s orchestra – how wonderful. Kudos to Graeme Mackay and Boris Brott, both local professionals.

Merle Baird-Kerr, Burlington

Nice work, but to be brutally honest…

AmateurI spend quite a bit of time reviewing work from people who want to see their artistic skills put to print. Often, they’re those with a knack for drawing and have proven themselves to be good artists. Some of them actually aspire to draw editorial cartoons and have banked up a number of examples over a period of time proving a genuine passion. The portfolios they let me peek into may or may not be good, but at least they have an idea of what editorial cartooning is about.

Alan-Ruiz-Editorial-CartoonOthers, however, approach me on how to get their work printed after proving themselves not only to have little experience in editorial cartooning, but really not having much exposure to newspapers in general. Oh, yes their email attachments of landscape paintings and charcoal renderings of celebrities from 10 years ago indicates a firm interest in art, but how does it relate to editorial cartooning?

drake_sketchMy response to many is often in the same tone as the one I sent recently below. It received no reply, no thanks for my time, just crickets – which is standard. But rather than let it vaporize into the emailsphere I thought I share it here, and maybe others will take something from it:

Dear aspiring editorial cartoonist,

It’s great that you’re trying your hand at editorial cartooning.  Satire is a wonderful way of blending one’s artistic skill with a rant about something and getting a response that provokes laughter, scorn, or a bit of both.

I see by your attached samples that you are someone who has taken quite a bit of time illustrating.  The landscape paintings, and illustrations of fruit baskets and pencil sketches prove that you’re someone with an artistic passion.  If you’re like me, you’ll know that with every successful creation are 1 to 10 others that were abandoned or crumpled up and sent to the bin. Like painting, editorial cartooning requires a lot of practice and crumpled up pieces of paper. You should see my attempt at painting – lots of unfinished canvasses and others with the quality of paint-by-numbers pieces.

In terms of editorial cartooning, I think, based on the one editorial cartoon sent, that if you really want to get mass print publicity, you need to practice more, loosen up your rigid lines, perfect your lettering, establish a style, and explore technology that allows cartoonists to quickly colour their work beyond using pencil crayons. What editors want to see are bodies of work by prospective freelancers that confirms consistency and experienced quality.

I would also suggest using websites like Pinterest.com, Deviantart.com, and toonpool.com to peruse the works of others and places to post your own work for easy upload, display, and comparison. Share your work on Facebook, Instagram, and Twitter. I looked at your website and each of your email attachments, but the tendency I’ve come to realize is that many editors don’t bother taking the few moments to examine website content or attachments.  The aforementioned sites are way more convenient and are also a great way to invite constructive criticism, but it means embracing online activity which I know can be repulsive for some.

As for being bounced around the newsroom from person to person trying to get attention, it’s the unfortunate nature of this industry beast. The people you’ve already emailed to are higher up editors with their fingers on many buttons – illustration is not really one of the buttons. The Entertainment & Life editor also controls many buttons, and one of them is deciding on the odd commission piece that appears in their section.  Again, as I stated in my previous email to you, there’s not much of a budget for paying illustrators, which has turned off a lot of artists, hence the tendency for editors is to avoid humiliating artists by paying little and choosing to run stock photos/illustrations instead. Also, the turn around time for completing work is so short that it’s too much of a challenge for too little in return, and that’s not only from the view of the artist, but the editor as well.

I wish I could give you more positive advice. As a guy with no buttons to press except readers’ reaction, I’d love to see more illustrations in the paper, and more women drawing editorial cartoons. All I can offer are suggestions for anyone aspiring to get their work published is to practice, promote and persist at getting attention.

Good luck,
 
Graeme