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Michael Wilson

August 20, 2007

August 20, 2007 by Graeme MacKay


Click here to see a larger version.

Continuing with some memories of a cartoon I drew 18 years ago for the University of Ottawa student paper, The Fulcrum, which was my first foray into getting my stuff printed on a regular basis (Part I). The above cartoon was the first Alas & Alack strip to be published. It was completely inspired by the brilliant work of British Cartoonist Steve Bell, and in particular his wonderful series of cartoon strips chronicling the years 1979-1987 when Margaret Thatcher led the UK, entitled, “Maggie’s Farm.” It set the foundation for a series which would focus in Brian Mulroney and his cabinet. The main figures included Finance Minister Michael Wilson (dubbed Earl Mike, Minister of Pelf and Filthy Lucre), Joe Clark (Erstwhile king in charge foreign things), John Crosbie, (Sir John of Foundling), Lucien Bouchard – who wore a Napoleonic outfit (Baron Lucien, Minister of Nature), and Barbara McDougall, who as Minister for the Status of Women, who was known in the strip as Lady Barb the Dougall, ye minister of Shrews and Wenches. That’s right, Shrews and Wenches — they were different times in 1989 — political correctness was on the verge of getting traction in the universities at the time but hadn’t quite made it to my school yet. The Barbara McDougall character carried a coat hanger which I suppose had some reference to the abortion issue at the time. For whatever reason, it’s a head scratcher to me now, and probably not the sort of symbolism I’d depict in a cartoon these days.


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Referring to Sheila Copps as “Damn Sheila Witch Bitch” is also an indication of how permissive editors and readers were in the pre-PC period of the student press. Even worse, it serves as an indication of how perhaps nobody bothered to read my cartoon. I don’t remember any complaints, afterall. I like the little blurb from David Suzuki who explains the activities of the Diefenbeaver, and the reference to Pierre Trudeau who at the time was speaking out against the Meech Lake Accord is a nice touch to a bygone period of Canadian history.


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I’m guessing Jesse from the Beachcombers, or even the long running CBC series is becoming more and more forgotten from the collective memory banks of Canadians. Pierre Trudeau was a featured fixture in this 1990 strip. It just goes to show how influencial the former Prime Minister was even as Mulroney’s term was winding down. Trudeau had been out of office over 6 years when he was campaigning against the Meech Lake Accord. It was just the beginning of Jean Chretien’s reign as Liberal leader.


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And there is a nice segue between Trudeau and Chretien, with David Suzuki presiding over.


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The late Governor-General Ray Hnatyshyn featured here. While living in Ottawa I had the opportunity to see some of these characters in real life. Parliament Hill was only a 10 to 15 minute walk from my residence so occasionally I would venture down and sit in on Question period to see them in action — if you want to call it action. With Ray Hnatyshyn I witnessed some aspect of his coronation or induction or swearing in or whatever they call it when you become Governor-General. Admittedly, I don’t remember much except for him wearing a top hat and being lead on and off Parliament Hill in a horse drawn landau on a dreary overcast day and only a few people interested enough to watch the events. A few other guys in this cartoon continued on to other functions of administration. Michael Wilson, portrayed as Minister of Pelf and Dirty Lucre, is now Canadian Ambassador to the U.S. He holds the severed head of Jean Charest, (I guess he was demoted while in Mulroney’s cabinet). He went on to become Tory leader and is now Premier of Quebec.


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A couple international cartoons done in 1990. Above with Saddam Hussein, and below around the time Margaret Thatcher was hoisted out of office.


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Posted in: Canada, Cartooning Tagged: Alas & Alack, Barbara McDougall, Brian Mulroney, cartooning, comic strip, commentary, Jean Chretien, John Crosbie, Lucien Bouchard, Margaret Thatcher, Michael Wilson, Pierre Trudeau, Saddam Hussein, Sheila Copps

July 13, 2007

July 13, 2007 by Graeme MacKay

Washington DC Convention 2007

Every year editorial cartoonists get together in the United States to celebrate, commiserate, or just totally avoid talking about the business of our craft. When I tell people about these conventions they often wonder out loud what we could possibly fill the hours talking about — ink brands? cross hatching? pen nibs? Invariably, the jokes turn to how a “cartoonist convention” is an eloquent way of referring to an elaborate drunken piss-up amongst doodlers. Yes, much alcohol is consumed, but no more than what would be downed at your average conference of journalists, accountants, or funeral directors. Everybody needs to blow off steam once in a while.

Perhaps the only photo of Sydicators Cagle and Mayes
Perhaps the only photo of Sydicators Cagle and Mayes
Opinion man Mark Shields addresses the crowd
Opinion man Mark Shields addresses the crowd
Cullum Rogers, Sue Dewar, and father-in-law Jack Silcott at the Canadian Embassy
Cullum Rogers, Sue Dewar, and father-in-law Jack Silcott at the Canadian Embassy
The great Roy Peterson
The great Roy Peterson
My fish on display at the Katzen Center
My fish on display at the Katzen Center
Musical time in the Hospitality suite
Musical time in the Hospitality suite
More musical time in the Hospitality suite
More musical time in the Hospitality suite
Congressman Dennis Kucinich "Impeach Rob Rogers!"
Congressman Dennis Kucinich “Impeach Rob Rogers!”
Michael deAdder exhausted at the Mayflower Hotel
Michael deAdder exhausted at the Mayflower Hotel
Ambassador Wilson with yours truly
Ambassador Wilson with yours truly

This year the Convention Itinerary was packed with all kinds of subjects which go beyond ink brands, cross-hatching and pen nibs. The position of on-staff editorial cartoonist is in decline, with one in our ranks suggesting that only 80 salaried cartoonists remain employed in the U.S. todaycompared with 2000 a century ago. Editorial Cartoonists in the U.S. are very concerned with their impending extinction, and at this year’s gathering they held townhall style meetings at the start and end to come up with solutions. Some cartoonists are figuring that in order to stay in the business of political satire they need to animate or go the way of the dodo.

Other topics included blogging, politics, cartooning on war, Dennis Kucinich, and cartoonist rights. 

One of the really cool things I was able to do while visiting D.C. over the Fourth of July holiday was attend a dinner reception on the rooftop of the Canadian Embassy. Editorial Cartoonists were invited to dine on huge shrimp and caribou meat while rubbing shoulders with diplomats, commissioners, and other big wigs.

Andrea Mitchell, Jack Silcott, Alan Greenspan – Canadian Embassy, Washington DC, July 1, 2007.

I took my father inlaw to the event — that’s him, in the photo to left, nestled between former ABC News White House correspondent Andrea Mitchell and her husband Alan Greenspan, former U.S. Federal Reserve Chairman.

On the right is a photo of me with Arnold Roth, whose book Arnold’s Crazy Book of Science served as a huge inspiration for me to draw when I was a kid. 

Arnold Roth and Graeme MacKay, AAEC 2007, Washington DC

One of my cartoons (shown at the end of the centre wall – see in the above gallery of pics) was part of a show at The Katzen Arts Center at American University. The title of the exhibit, Bush Leaguers: Cartoonists Take on the White House is a collection of 99 editorial cartoons and is slated to appear in Pittsburgh and then Columbus, Ohio.

Posted in: Cartooning Tagged: aaec, acec, Alan Greenspan, American University, Andrea Mitchell, Arnold Roth, commentary, convention editorial cartooning, editorial cartoonists, Jack Silcott, Katzen Arts Center, Malcolm Mayes, Michael Wilson, Washington D.C

Please note…

This website contains satirical commentaries of current events going back several decades. Some readers may not share this sense of humour nor the opinions expressed by the artist. To understand editorial cartoons it is important to understand their effectiveness as a counterweight to power. It is presumed readers approach satire with a broad minded foundation and healthy knowledge of objective facts of the subjects depicted.

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