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Music

Thursday April 7, 2022

April 7, 2022 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Thursday April 7, 2022

A lament for Hamilton’s maestro

With the tragic death Tuesday of Boris Brott, 78, Canada has lost one of its outstanding orchestral and operatic conductors.

Maestro Brott

Born in Montreal to violinist-composer-conductor Alexander Brott and cellist Lotte Brott in 1944, Brott debuted as a violin soloist with the Montreal Symphony Orchestra at age five. Seven years later, he studied conducting with Pierre Monteux at his academy in Maine. It was Monteux who gave Brott his first conducting job as his assistant with the London Symphony Orchestra and on his European tours.

After studies with Igor Markevitch, Brott won top prize at the 1958 Pan-American Conducting Competition in Mexico. One year later, Brott, then a 15-year-old student at Montreal’s West Hill High School, founded the Philharmonic Youth Orchestra of Montreal.

After winning third prize at the 1962 Liverpool Competition, he served as Walter Susskind’s assistant at the Toronto Symphony Orchestra from 1963 to 1965. Brott then became active in England, conducting the Northern Sinfonia at Newcastle upon Tyne from 1964 to 1968, and was principal conductor of the Royal Ballet Covent Garden’s touring company from 1964 to 1967.

In 1968, he was awarded first prize at the prestigious Dimitri Mitropoulos International Music Competition in New York and later that year was consequently named assistant to the New York Philharmonic Orchestra’s charismatic and flashy music director, Leonard Bernstein.

Brott came to Hamilton in 1969 as artistic director and conductor of the Hamilton Philharmonic Orchestra (HPO). Over the years, he led the HPO from an amateur ensemble to a professional orchestra that at its peak had a 42-week season and some 16,000 subscribers.

Fantasy Classic 2020

Together with members of the community, Brott also spearheaded the construction of the 2,200 seat Hamilton Place, now FirstOntario Concert Hall.

After having made his opera conducting debut with “La fille du régiment” at the Canadian Opera Company in 1977, Brott was one of the movers and shakers who helped to found Opera Hamilton, conducting performances of “La traviata” in 1980 and “Tosca” in 1981.

During the late 1970s and 1980s, Brott was one of Canada’s busiest conductors. In addition to his duties in Hamilton, he held positions with the CBC Winnipeg Orchestra, Symphony Nova Scotia and the Ontario Place Pops Orchestra, among others.

Unfortunately, things turned sour for Brott at the HPO and the two parted ways around 1990. In 1989, Brott founded the Hamilton-based professional training orchestra, the National Academy Orchestra (NAO) of Canada, which served as the orchestra-in-residence for his eponymous music festival, Canada’s largest orchestral festival. Today, many of the NAO’s over 1,000 alumni hold positions in orchestras across North America and beyond. He also established BrottOpera, which staged operatic productions in the Hamilton area.

From the book, “You Might Be From Hamilton If…”

In the 2000s, Brott also took over the McGill Chamber Orchestra, which had been founded in 1939 by his parents. Renamed the Orchestre Classique de Montréal, Brott was to have co-conducted a “Forever Handel” concert with this ensemble on April 28.

Internationally, Brott was the first music director of the New West Symphony in Thousand Oaks, California, in 1995 and also guest conducted throughout Italy. A career highlight came in 2000 when he conducted Bernstein’s “Mass” in Vatican City before an audience which included Pope John Paul II.

Brott’s many awards include an Officer of the Order of Canada (1986), Order of Ontario (2006), and City of Hamilton Lifetime Achievement Arts Award (2007).

Dorothy the Dinosaur – Illustration by Graeme MacKay

Though Brott had conducted countless works over his career, to many the most essential of these was Handel’s “Messiah,” which he performed in Israel and led annually for many years in Hamilton and Montreal.

For Brott, it was always go big or go home. His chutzpah, his ability to make things happen and to figuratively move heaven and earth if necessary, are irreplaceable. Canada will not see anyone like him and we are all the poorer for his loss.

Brott is survived by his brother, Denis, of Montreal, his wife, Ardyth, of Hamilton, two sons and a daughter and their families.

May his memory be a blessing. (Hamilton Spectator) 

 

Posted in: Canada, Hamilton Tagged: 2022-12, Boris Brott, bow, bravo, Canada, classical, concert, conductor, Hamilton, Music, Obit, obituary, RIP

Monday December 16, 2019

December 23, 2019 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Monday December 16, 2019

Boris Johnson and the Coming Trump Victory in 2020

July 24, 2019

Donald Trump, in his telling, could have shot somebody on Fifth Avenue and won. Boris Johnson could mislead the queen. He could break his promise to get Britain out of Europe by Oct. 31. He could lie about Turks invading Britain and the cost of European Union membership. He could make up stories about building 40 new hospitals. He could double down on the phantom $460 million a week that Brexit would deliver to the National Health Service — and still win a landslide Tory electoral victory not seen since Margaret Thatcher’s triumph in 1987.

The British, or at least the English, did not care. Truth is so 20th century. They wanted Brexit done; and, formally speaking, Johnson will now take Britain out of Europe by Jan. 31, 2020, even if all the tough decisions on relations with the union will remain. Johnson was lucky. In the pathetic, emetic Jeremy Corbyn, the soon-to-depart Labour Party leader, he faced perhaps the worst opposition candidate ever. In the Tory press, he had a ferocious friend prepared to overlook every failing. In Brexit-weary British subjects, whiplashed since the 2016 referendum, he had the perfect receptacle for his “get Brexit done.”

June 27, 2016

Johnson was also skillful, blunting Nigel Farage’s far-right Brexit Party, which stood down in many seats, took a lot of Labour votes in the seats where it did run, and ended up with nothing. The British working class, concentrated in the Midlands and the North, abandoned Labour and Corbyn’s socialism for the Tories and Johnson’s nationalism.

In the depressed provinces of institutionalized precariousness, workers embraced an old Etonian mouthing about unleashed British potential. Not a million miles from blue-collar heartland Democrats migrating to Trump the millionaire and America First demagogy.

That’s not the only parallel with American politics less than 11 months from the election. Johnson concentrated all the Brexit votes. By contrast, the pro-Remain vote was split between Corbyn’s internally divided Labour Party, the hapless Liberal Democrats, and the Scottish National Party. For anybody contemplating the divisions of the Democratic Party as compared with the Trump movement’s fanatical singleness of purpose, now reinforced by the impeachment proceedings, this can only be worrying.

June 22, 2016

The clear rejection of Labour’s big-government socialism also looks ominous for Democrats who believe the party can lurch left and win. The British working class did not buy nationalized railways, electricity distribution and water utilities when they could stick it to some faceless bureaucrat in Brussels and — in that phrase as immortal as it is meaningless — take back their country.

It’s a whole new world. To win, liberals have to touch people’s emotions rather than give earnest lessons. They have to cease being arid. They have to refresh and connect. It’s not easy. (Continued: NYTimes)


A song from my youth entered my mind as I drew this cartoon. Give it a listen, give it a watch…



 

Posted in: International, USA Tagged: 2019-44, Boris Johnson, diplomacy, Donald Trump, election, Great Britain, International, map, maps, Music, UK, USA, world

Friday November 1, 2019

November 8, 2019 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Friday November 1, 2019

Can Doug Ford learn from his mistakes?

Ontario Premier Doug Ford has ended the longest legislative break in a quarter century and his own political exile. He admits his government has made mistakes and vows to find a new “tone” going forward.

May 29, 2019

“Governing is always hard,” says Ford. “We all mature in the role that we’re in and you just try not to make the same mistakes.”

Far be it for this page to disagree with Ford on any of that. Or his stated desire to “learn by your mistakes.”

His government has been a disaster, and the way Ontario voters cast their ballots in last week’s federal election strongly suggests they also know it.

But putting the wrecking ball that has been the hallmark of the Ford government’s first 16 months down to exuberance is far too simplistic.

The early autism cuts and cronyism scandal, for example, were mistakes. But much of the chaos in everything from education to social services is not the result of haste or blundering. It flows from purposeful policy decisions to cut costs.

October 29, 2019

So as Ford seeks to reset his government the real question is what exactly he thinks are his “mistakes.” That his policies proved to be more unpopular with the people of Ontario than expected, or that they were the wrong direction in the first place?

If it’s the former, Ontarians can expect to see a slower pace of change with more effort put into finding support for the government’s cuts. If it’s the latter, and we hope it is, it might mean more than that.

Monday’s Question Period, though, didn’t bode well for the idea that the new and improved Ford government is about substance and not just style.

Ford welcomed back NDP Leader Andrea Horwath and thanked her for her questions. Then he launched into the same half-truths he’s always peddled.

On education, Ford said, the government is investing “more money than any government in the history of Ontario.” But per student funding — the primary means of funding schools — is down; some high school students are struggling to get the classes they need for university; and teachers’ unions, furious about job reductions, are set to take strike votes.

May 14, 2019

On Ford’s appalling taxpayer-funded court battle over the federal carbon pricing plan, he continued to claim people “just can’t afford it.” He ignored, as usual, the fact that most people will get back more than they pay because of the rebates that come with it.

It’s obvious that Ford needs to reset his government’s agenda.

At this point, no one, not even his own Progressive Conservative colleagues, can possibly know even what it is, given all the U-turns and waffles over the last few months.

Ford happily blew up Toronto city council mid-election, supposedly to create better and more efficient municipal government and vowed to extend such thinking to other regions. Then, on Friday, after months of consultation and study the government abandoned that idea; instead, it offered municipalities more money to find efficiencies and improve services.

May 4, 2019

The province has finally moved to enact legislation passed by the former Liberal government to ban the promotion of vaping products in convenience stores but hasn’t done the same thing on labour reforms needed to protect temporary workers. It has reduced its deep cuts to child care, but not for legal aid. On carbon pricing Ford changed his mind two months ago, only to change it back again last week.

How is anyone to know what this government stands for now?

At the top of the Ford government’s list of legislative priorities is “restoring trust and accountability in government.”

After promising efficiencies but delivering devastating cuts that will be a long road.

And if Ford really wants to avoid repeating his mistakes, this legislative session needs to be about more than softer words. (Toronto Star) 

 

Posted in: Ontario Tagged: 2019-38, chainsaw, conciliatory, cuts, derogatory, Doug Ford, harp, harpist, Music, Ontario, party, Tory

Saturday December 23, 2017

December 22, 2017 by Graeme MacKay

Take it easy this holiday weekend, and Merry Christmas! – Graeme

Posted in: Lifestyle Tagged: anxiety, christmas, consumerism, holiday, joy, love, Music, shopping, stress, wassail

Saturday January 21, 2017

January 20, 2017 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Saturday January 21, 2017

Music-on-patio plan tabled

City councillors don’t like the sound of a plan to allow musical entertainment on nightclub patios.

July 31, 2014

A pilot project was tabled Tuesday by the city’s planning committee that would have allowed bar owners to feature ambient music on patios in seven districts in the city, some golf courses and other locations in rural areas.

Councillors decided to deal with the issue at a later date after raising concerns about the potential impact on people who live nearby.

Others said it would be unfair to bar patio owners outside the designated districts on James Street North, Hess Village, the bayfront, Augusta Street, part of Upper James Street and Dundas.

Coun. Brenda Johnson said she had concerns about the plan in rural areas because sound can travel great distances in undeveloped landscapes.

Coun. Jason Farr supported the idea, saying it was consistent with Hamilton’s desire to brand itself as a music city.

The noise level would be kept to 60 decibels, which is the same volume as a discussion at an average planning committee meeting, Farr added. (Source: Hamilton Spectator) 

 

Posted in: Hamilton Tagged: air guitar, Bayfront, bylaw, Hamilton, Music, officer, patio, sound
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This website contains satirical commentaries of current events going back several decades. Some readers may not share this sense of humour nor the opinions expressed by the artist. To understand editorial cartoons it is important to understand their effectiveness as a counterweight to power. It is presumed readers approach satire with a broad minded foundation and healthy knowledge of objective facts of the subjects depicted.

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