Music

Wednesday May 3, 2023

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Wednesday May 3, 2023

Gordon Lightfoot (November 17, 1938 – May 1, 2023)

Gordon Lightfoot was more than just a singer-songwriter; he was a cultural icon whose music helped shape Canadian identity and inspired audiences worldwide. His unique blend of folk, country, and pop music, combined with his gift for storytelling, captured the hearts of millions and cemented his place in music history. Lightfoot’s impact on Canadian culture is undeniable.

News: Canadian folk music icon Gordon Lightfoot dead at 84  

August 24, 2013

Through his music, he celebrated the natural beauty of Canada, weaving stories of the land, its people, and its history. Songs like “Canadian Railroad Trilogy” and “The Wreck of the Edmund Fitzgerald” became anthems of Canadian identity and pride, reflecting the spirit and resilience of the country and its people. Beyond Canadian borders, Lightfoot’s music resonated with audiences worldwide. His songs spoke to universal themes of love, loss, and the human experience, making him one of the most respected and admired singer-songwriters of his time.

However, Lightfoot was not immune to criticism. Some felt that his work could be repetitive, maudlin, sentimental, and nostalgic, and did not appeal to younger, more diverse audiences. Critics often pointed out that Lightfoot’s music seemed to rely on similar themes and motifs, and his ballads could come across as sentimental and overly nostalgic. Some argued that he struggled to adapt to changing musical tastes and remained firmly rooted in the folk and country traditions of the past. Additionally, Lightfoot’s music was often associated with an older, more conservative demographic, and it did not always resonate with younger, more diverse audiences.

Despite these criticisms, Lightfoot remained a beloved and influential figure in Canadian music. His impact on Canadian culture cannot be overstated, and his ability to capture the essence of the Canadian landscape and spirit continues to inspire generations of musicians and fans. He was a symbol of Canadian culture and a role model for aspiring musicians, inspiring generations of Canadian artists who followed in his footsteps and contributed to the country’s rich musical heritage.

News: Anne Murray, Jim Cuddy and Prime Minister Trudeau remember a quintessential Canadian, Gordon Lightfoot  

March 8, 2013

In a time when Canadian culture was often overshadowed by its larger neighbor to the south, Lightfoot’s music helped put Canada on the map. He showed the world that Canada was more than just a cold and distant land, but a place of beauty, creativity, and resilience. Ultimately, while Lightfoot’s music may not have been to everyone’s taste, it remains a testament to his enduring talent and the power of music to unite and inspire. His passing is a great loss to the music world, but his music will continue to be celebrated and enjoyed for years to come. (AI)

 

Wednesday March 15, 2023

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Wednesday March 15, 2023

Avril Lavigne confronts topless protestor at Junos

Young Doug Ford: The Series

A wildly unpredictable Juno Awards unfolded on Monday as a topless protester charged the stage, leading to some feisty words from Avril Lavigne, while an absent the Weeknd emerged as the top winner this year.

With a few twists and turns, Canada’s biggest celebration of music did away with its typically tame proceedings shortly after the broadcast got under way. Lavigne was interrupted by a topless woman who leapt on the stage wearing pasties with paint on her that read “land back” and “save the green belt,” a reference to Ontario’s decision last fall to open a protected area of land for housing.

The pop-punk princess appeared blindsided by the crasher and proceeded to swear at her, demanding she get off the stage. The person was quickly escorted away by security.

Unfazed, Lavigne moved on to introduce a performance by Punjabi-Canadian singer and rapper AP Dhillon.

She returned later to accept this year’s fan choice award with a few choice words and another expletive.

The unexpected moment set the tone for an energetic Junos that saw the Weeknd’s smash hit Dawn FM earn him album of the year, adding to four wins he scored at a Saturday industry event, including artist and single of the year for Sacrifice. (The Globe and Mail) 

 

Thursday April 7, 2022

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Thursday April 7, 2022

A lament for Hamilton’s maestro

With the tragic death Tuesday of Boris Brott, 78, Canada has lost one of its outstanding orchestral and operatic conductors.

Maestro Brott

Born in Montreal to violinist-composer-conductor Alexander Brott and cellist Lotte Brott in 1944, Brott debuted as a violin soloist with the Montreal Symphony Orchestra at age five. Seven years later, he studied conducting with Pierre Monteux at his academy in Maine. It was Monteux who gave Brott his first conducting job as his assistant with the London Symphony Orchestra and on his European tours.

After studies with Igor Markevitch, Brott won top prize at the 1958 Pan-American Conducting Competition in Mexico. One year later, Brott, then a 15-year-old student at Montreal’s West Hill High School, founded the Philharmonic Youth Orchestra of Montreal.

After winning third prize at the 1962 Liverpool Competition, he served as Walter Susskind’s assistant at the Toronto Symphony Orchestra from 1963 to 1965. Brott then became active in England, conducting the Northern Sinfonia at Newcastle upon Tyne from 1964 to 1968, and was principal conductor of the Royal Ballet Covent Garden’s touring company from 1964 to 1967.

In 1968, he was awarded first prize at the prestigious Dimitri Mitropoulos International Music Competition in New York and later that year was consequently named assistant to the New York Philharmonic Orchestra’s charismatic and flashy music director, Leonard Bernstein.

Brott came to Hamilton in 1969 as artistic director and conductor of the Hamilton Philharmonic Orchestra (HPO). Over the years, he led the HPO from an amateur ensemble to a professional orchestra that at its peak had a 42-week season and some 16,000 subscribers.

Fantasy Classic 2020

Together with members of the community, Brott also spearheaded the construction of the 2,200 seat Hamilton Place, now FirstOntario Concert Hall.

After having made his opera conducting debut with “La fille du régiment” at the Canadian Opera Company in 1977, Brott was one of the movers and shakers who helped to found Opera Hamilton, conducting performances of “La traviata” in 1980 and “Tosca” in 1981.

During the late 1970s and 1980s, Brott was one of Canada’s busiest conductors. In addition to his duties in Hamilton, he held positions with the CBC Winnipeg Orchestra, Symphony Nova Scotia and the Ontario Place Pops Orchestra, among others.

Unfortunately, things turned sour for Brott at the HPO and the two parted ways around 1990. In 1989, Brott founded the Hamilton-based professional training orchestra, the National Academy Orchestra (NAO) of Canada, which served as the orchestra-in-residence for his eponymous music festival, Canada’s largest orchestral festival. Today, many of the NAO’s over 1,000 alumni hold positions in orchestras across North America and beyond. He also established BrottOpera, which staged operatic productions in the Hamilton area.

From the book, “You Might Be From Hamilton If…”

In the 2000s, Brott also took over the McGill Chamber Orchestra, which had been founded in 1939 by his parents. Renamed the Orchestre Classique de Montréal, Brott was to have co-conducted a “Forever Handel” concert with this ensemble on April 28.

Internationally, Brott was the first music director of the New West Symphony in Thousand Oaks, California, in 1995 and also guest conducted throughout Italy. A career highlight came in 2000 when he conducted Bernstein’s “Mass” in Vatican City before an audience which included Pope John Paul II.

Brott’s many awards include an Officer of the Order of Canada (1986), Order of Ontario (2006), and City of Hamilton Lifetime Achievement Arts Award (2007).

Dorothy the Dinosaur – Illustration by Graeme MacKay

Though Brott had conducted countless works over his career, to many the most essential of these was Handel’s “Messiah,” which he performed in Israel and led annually for many years in Hamilton and Montreal.

For Brott, it was always go big or go home. His chutzpah, his ability to make things happen and to figuratively move heaven and earth if necessary, are irreplaceable. Canada will not see anyone like him and we are all the poorer for his loss.

Brott is survived by his brother, Denis, of Montreal, his wife, Ardyth, of Hamilton, two sons and a daughter and their families.

May his memory be a blessing. (Hamilton Spectator) 

 

Monday December 16, 2019

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Monday December 16, 2019

Boris Johnson and the Coming Trump Victory in 2020

July 24, 2019

Donald Trump, in his telling, could have shot somebody on Fifth Avenue and won. Boris Johnson could mislead the queen. He could break his promise to get Britain out of Europe by Oct. 31. He could lie about Turks invading Britain and the cost of European Union membership. He could make up stories about building 40 new hospitals. He could double down on the phantom $460 million a week that Brexit would deliver to the National Health Service — and still win a landslide Tory electoral victory not seen since Margaret Thatcher’s triumph in 1987.

The British, or at least the English, did not care. Truth is so 20th century. They wanted Brexit done; and, formally speaking, Johnson will now take Britain out of Europe by Jan. 31, 2020, even if all the tough decisions on relations with the union will remain. Johnson was lucky. In the pathetic, emetic Jeremy Corbyn, the soon-to-depart Labour Party leader, he faced perhaps the worst opposition candidate ever. In the Tory press, he had a ferocious friend prepared to overlook every failing. In Brexit-weary British subjects, whiplashed since the 2016 referendum, he had the perfect receptacle for his “get Brexit done.”

June 27, 2016

Johnson was also skillful, blunting Nigel Farage’s far-right Brexit Party, which stood down in many seats, took a lot of Labour votes in the seats where it did run, and ended up with nothing. The British working class, concentrated in the Midlands and the North, abandoned Labour and Corbyn’s socialism for the Tories and Johnson’s nationalism.

In the depressed provinces of institutionalized precariousness, workers embraced an old Etonian mouthing about unleashed British potential. Not a million miles from blue-collar heartland Democrats migrating to Trump the millionaire and America First demagogy.

That’s not the only parallel with American politics less than 11 months from the election. Johnson concentrated all the Brexit votes. By contrast, the pro-Remain vote was split between Corbyn’s internally divided Labour Party, the hapless Liberal Democrats, and the Scottish National Party. For anybody contemplating the divisions of the Democratic Party as compared with the Trump movement’s fanatical singleness of purpose, now reinforced by the impeachment proceedings, this can only be worrying.

June 22, 2016

The clear rejection of Labour’s big-government socialism also looks ominous for Democrats who believe the party can lurch left and win. The British working class did not buy nationalized railways, electricity distribution and water utilities when they could stick it to some faceless bureaucrat in Brussels and — in that phrase as immortal as it is meaningless — take back their country.

It’s a whole new world. To win, liberals have to touch people’s emotions rather than give earnest lessons. They have to cease being arid. They have to refresh and connect. It’s not easy. (Continued: NYTimes)

A song from my youth entered my mind as I drew this cartoon. Give it a listen, give it a watch…



 

Friday November 1, 2019

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Friday November 1, 2019

Can Doug Ford learn from his mistakes?

Ontario Premier Doug Ford has ended the longest legislative break in a quarter century and his own political exile. He admits his government has made mistakes and vows to find a new “tone” going forward.

May 29, 2019

“Governing is always hard,” says Ford. “We all mature in the role that we’re in and you just try not to make the same mistakes.”

Far be it for this page to disagree with Ford on any of that. Or his stated desire to “learn by your mistakes.”

His government has been a disaster, and the way Ontario voters cast their ballots in last week’s federal election strongly suggests they also know it.

But putting the wrecking ball that has been the hallmark of the Ford government’s first 16 months down to exuberance is far too simplistic.

The early autism cuts and cronyism scandal, for example, were mistakes. But much of the chaos in everything from education to social services is not the result of haste or blundering. It flows from purposeful policy decisions to cut costs.

October 29, 2019

So as Ford seeks to reset his government the real question is what exactly he thinks are his “mistakes.” That his policies proved to be more unpopular with the people of Ontario than expected, or that they were the wrong direction in the first place?

If it’s the former, Ontarians can expect to see a slower pace of change with more effort put into finding support for the government’s cuts. If it’s the latter, and we hope it is, it might mean more than that.

Monday’s Question Period, though, didn’t bode well for the idea that the new and improved Ford government is about substance and not just style.

Ford welcomed back NDP Leader Andrea Horwath and thanked her for her questions. Then he launched into the same half-truths he’s always peddled.

On education, Ford said, the government is investing “more money than any government in the history of Ontario.” But per student funding — the primary means of funding schools — is down; some high school students are struggling to get the classes they need for university; and teachers’ unions, furious about job reductions, are set to take strike votes.

May 14, 2019

On Ford’s appalling taxpayer-funded court battle over the federal carbon pricing plan, he continued to claim people “just can’t afford it.” He ignored, as usual, the fact that most people will get back more than they pay because of the rebates that come with it.

It’s obvious that Ford needs to reset his government’s agenda.

At this point, no one, not even his own Progressive Conservative colleagues, can possibly know even what it is, given all the U-turns and waffles over the last few months.

Ford happily blew up Toronto city council mid-election, supposedly to create better and more efficient municipal government and vowed to extend such thinking to other regions. Then, on Friday, after months of consultation and study the government abandoned that idea; instead, it offered municipalities more money to find efficiencies and improve services.

May 4, 2019

The province has finally moved to enact legislation passed by the former Liberal government to ban the promotion of vaping products in convenience stores but hasn’t done the same thing on labour reforms needed to protect temporary workers. It has reduced its deep cuts to child care, but not for legal aid. On carbon pricing Ford changed his mind two months ago, only to change it back again last week.

How is anyone to know what this government stands for now?

At the top of the Ford government’s list of legislative priorities is “restoring trust and accountability in government.”

After promising efficiencies but delivering devastating cuts that will be a long road.

And if Ford really wants to avoid repeating his mistakes, this legislative session needs to be about more than softer words. (Toronto Star)