The Long Game of Fighting Piracy at AliExpress
Monday August 26, 2024
AliExpress Piracy Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Fight Back
It’s been almost a month since I began tackling the frustrating issue of intellectual property theft on AliExpress, where my designs are often copied and sold without my permission. This process has been exhausting, revealing the harsh realities of being a creator in the digital marketplace. Also, this is nothing new.
As I search the platform for my designs, I grow more weary. I’ve filed 603 complaints, with nearly all being successful in having the infringing items taken down. However, I’ve yet to see any meaningful action from AliExpress to shut down the stores behind these thefts. The dashboard they provide gives the illusion of support, but it often feels like a way to mask their inaction.
AliBaba, is practically laughing in the faces of poor artists essentially making them unpaid employees, let’s call it what it really is: slavery, to its system of regulating the proliferation of knockoffs and satisfying the more significant complaints by global trade commissions and blocks who’ve raised issue with AliExpress’ unethical practices of enabling sellers in China to pirate western designs to western buyers.
The Wall Street Journal: European Commission Opens Probe Into Alibaba’s AliExpress
To date, I have lodged a staggering 603 complaints, boasting a near 100% takedown success rate. However, the fact that I’ve only encountered a 0% counter-notice rate leaves me questioning the efficacy of the system. The sleek Alibaba IPP dashboard presents a month-on-month comparison of complaints, solidifying my belief that this will be an ongoing battle. It’s disheartening to realize that artists like myself are essentially being turned into unpaid employees for a platform that profits from our creativity while simultaneously enabling the proliferation of knockoffs.
Yahoo Life: Canadian textile artist calls out Shein, AliExpress: ‘Having your art stolen sucks’
The situation is exacerbated by the existence of a network of individuals who profit from selling pirated designs. These sellers often operate multiple stores, creating a labyrinth of knockoff products where they can hide from accountability. My niche audience of history enthusiasts gives me a slight advantage; it’s easier for me to identify and report violations related to specific themes, such as “Millard Fillmore” or “MacKenzie Bowell.” However, I am acutely aware that many other artists, whose works are more generic, face an even greater challenge in this system.
Despite my efforts, I have yet to witness any substantive action from AliExpress against these offending stores. I have become familiar with the individuals behind the piracy, tracking their nefarious activities in a growing spreadsheet that serves as a leaderboard of the worst offenders. The Yu Xianyu Textile Store currently holds the dubious honour of having 30 of my designs taken down, followed closely by the Lin Hanzhu Cloth Shop and the Chen Yongjiao Commodity Firm. The sheer volume of violations I uncover feels like an endless stream of needles in a haystack, with countless other unsuspecting artists suffering similar fates.
On a positive note, advancements in technology, particularly artificial intelligence, are making it easier to track these offenders. With simple coding, I can automate the monitoring of my designs and identify patterns in copyright violations. This efficiency allows me to focus more on creating rather than just fighting piracy.
In response to the blatant disregard for copyright laws, I’ve taken an unconventional approach. In recent complaints, I’ve included a light-hearted newsletter (as shown above), albeit with likely poorly translated text aimed at the sellers. While I have little expectation that this message will resonate with them, I find solace in the notion that some low level data entry employee on the corporate side might glance at it as they process complaints.
The battle against intellectual property theft feels overwhelming at times, but I remain committed to protecting my work and supporting fellow creators. By sharing our experiences and leveraging new tools, we can all stand stronger against the tide of piracy. This journey is not just about reclaiming my designs; it’s about fighting for the rights of all artists who deserve respect and recognition for their creativity.