cartoonist – mackaycartoons

Nice work, but to be brutally honest…

July 23, 2015 by Graeme MacKay

I spend quite a bit of time reviewing work from people who want to see their artistic skills put to print. Often, they’re those with a knack for drawing and have proven themselves to be good artists. Some of them actually aspire to draw editorial cartoons and have banked up a number of examples over a period of time proving a genuine passion. The portfolios they let me peek into may or may not be good, but at least they have an idea of what editorial cartooning is about.

Others, however, approach me on how to get their work printed after proving themselves not only to have little experience in editorial cartooning, but really not having much exposure to newspapers in general. Oh, yes their email attachments of landscape paintings and charcoal renderings of celebrities from 10 years ago indicates a firm interest in art, but how does it relate to editorial cartooning?

My response to many is often in the same tone as the one I sent recently below. It received no reply, no thanks for my time, just crickets – which is standard. But rather than let it vaporize into the emailsphere I thought I share it here, and maybe others will take something from it:

Dear aspiring editorial cartoonist,

It’s great that you’re trying your hand at editorial cartooning. Satire is a wonderful way of blending one’s artistic skill with a rant about something and getting a response that provokes laughter, scorn, or a bit of both.

I see by your attached samples that you are someone who has taken quite a bit of time illustrating. The landscape paintings, and illustrations of fruit baskets and pencil sketches prove that you’re someone with an artistic passion. If you’re like me, you’ll know that with every successful creation are 1 to 10 others that were abandoned or crumpled up and sent to the bin. Like painting, editorial cartooning requires a lot of practice and crumpled up pieces of paper. You should see my attempt at painting – lots of unfinished canvasses and others with the quality of paint-by-numbers pieces.

In terms of editorial cartooning, I think, based on the one editorial cartoon sent, that if you really want to get mass print publicity, you need to practice more, loosen up your rigid lines, perfect your lettering, establish a style, and explore technology that allows cartoonists to quickly colour their work beyond using pencil crayons. What editors want to see are bodies of work by prospective freelancers that confirms consistency and experienced quality.

I would also suggest using websites like Pinterest.com, Deviantart.com, and toonpool.com to peruse the works of others and places to post your own work for easy upload, display, and comparison. Share your work on Facebook, Instagram, and Twitter. I looked at your website and each of your email attachments, but the tendency I’ve come to realize is that many editors don’t bother taking the few moments to examine website content or attachments. The aforementioned sites are way more convenient and are also a great way to invite constructive criticism, but it means embracing online activity which I know can be repulsive for some.

As for being bounced around the newsroom from person to person trying to get attention, it’s the unfortunate nature of this industry beast. The people you’ve already emailed to are higher up editors with their fingers on many buttons – illustration is not really one of the buttons. The Entertainment & Life editor also controls many buttons, and one of them is deciding on the odd commission piece that appears in their section. Again, as I stated in my previous email to you, there’s not much of a budget for paying illustrators, which has turned off a lot of artists, hence the tendency for editors is to avoid humiliating artists by paying little and choosing to run stock photos/illustrations instead. Also, the turn around time for completing work is so short that it’s too much of a challenge for too little in return, and that’s not only from the view of the artist, but the editor as well.

I wish I could give you more positive advice. As a guy with no buttons to press except readers’ reaction, I’d love to see more illustrations in the paper, and more women drawing editorial cartoons. All I can offer are suggestions for anyone aspiring to get their work published is to practice, promote and persist at getting attention.

Good luck,

Graeme

Thursday January 8, 2014

January 7, 2015 by Graeme MacKay

Editorial Cartoon by Graeme MacKay, The Hamilton Spectator – Thursday January 8, 2014

12 dead, shooters on the run, after ‘terror’ attack at Paris newspaper

A French police official says 12 people are dead in a shooting at a satirical weekly newspaper in central Paris and the attackers are still at large.

Four more people are in critical condition and an additional 20 have been injured, police said.

Two of the dead are police officers. French media reported the weekly’s chief editor and other staff were among the dead.

Paris has been put on the highest state of alert for a terrorist attack.

“France is in a state of shock,” French President Francois Hollande said at the scene of Wednesday’s shooting at Charlie Hebdo.

“Journalists and police were killed,” Holland said.

Hollande called it “a terrorist attack, there is no doubt. We must show we are a country united.”

The French newspaper Le Figaro reported the satirical cartoonist Stephane Charbonnier and two others cartoonists were dead.

The French newspaper Le Monde also quoted several police sources as saying Charbonnier, who is also direction of publication, and cartoonist Riss were among the dead.

A few minutes before the shooting, Charlie Hebdo’s Twitter account published a Charbonnier cartoon that said, “Best wishes, to al-Baghdadi also,” a reference to Abu Bakr al-Baghdadi who is called the leader of the violent terrorist group Islamic State.

Charlie Hebdo’s cover this week is on Submission, a book by Michel Houellebecq released Wednesday, which is sparking controversy with its depiction of a fictional France of the future led by an Islamic party and a Muslim president who bans women from the workplace.

The attackers are on the run, Holland said. He said all potential terrorist targets have been put under the highest protection, adding that several possible attacks have been foiled in recent weeks.

From Washington, London, Brussels and Rome, leaders condemned the attack.

Most of the victims were part of the magazine’s newsroom, Matthieu Lamarre, a spokesman for the Paris Mayor’s office, said.

The solidarity slogan “Je suis Charlie” was quickly trending on Twitter.

The satirical weekly has drawn repeated threats for its caricatures of the Prophett Mohammed, among other controversial sketches. (Source: Hamilton Spectator)

Wednesday February 8, 2012

February 8, 2012 by Graeme MacKay

By Graeme MacKay, The Hamilton Spectator, Wednesday February 8, 2012

Longtime Spec cartoonist Blaine dead at 74

One of The Spectator’s most colourful and well-known personalities of recent decades has died.

Blaine, who was the newspaper’s editorial cartoonist for 30 years until his retirement in 1993, had been in poor health in recent years after heart surgery and a stroke and was living at Macassa Lodge. He died at Juravinski Hospital Sunday evening.

He was born in Glace Bay, N.S., with the name Blaine MacDonald. But as he gained profile in the world of cartooning, adopting a style that was strongly influenced by the great Toronto Star cartoonist Duncan Macpherson, he legally changed his name to Blaine.

Blaine was anything but bland. He had a black belt in karate, played guitar and sang, liked wearing cowboy boots and jewellery and was remembered for driving motorcycles and a Corvette Stingray monogrammed with a drawing of a butterfly on the hood.

The story goes that he once picked up an injured butterfly by the side of the road, nursed it back to health, and then used the experience of releasing it for inspiration to buy lottery tickets. He matched numbers to the letters of the song Butterflies are Free (B=2, U=21 etc.) and won $15,443 in Lottario.

But that wasn’t the only thing he won during his life. For his editorial cartooning, Blaine received National Newspaper Awards, a Reuben Award and a Salon of Cartoons Grand Prize. Blaine created a national profile for himself and the paper through the syndication of his work.

Roy Carless, a local cartoonist who died in 2009, once described Blaine as “probably the most brilliant caricaturist that I ever met. A lot of artists were jealous of him.”

Other Blaine admirers included Pierre Trudeau, who wrote to Blaine in May 1969, saying: “I am not sure whether it is more foolhardy for a politician to praise the work of a cartoonist, or to refuse to do so — particularly when the cartoonist holds a black belt in karate. In any case, I freely admit to enjoying your drawings, both the lifelike pencil portraits and the imaginative political caricatures. Keep that pencil sharpened. My fellow politicians and I will keep you well supplied with material.”

But actually it was Blaine who owed thanks to the former prime minister. Trudeau was one of the cartoonist’s favourite subjects and Blaine won a National Newspaper Award by depicting him putting his middle finger into a light socket with one hand and holding an illuminated light bulb with the other. The caption: Finger Power.

Blaine’s caricatures of Trudeau have a special meaning to The Spec’s current editorial cartoonist, Graeme MacKay. Years ago, as a Grade 10 student with a sketchbook tucked under his arm, MacKay went into The Spec’s newsroom to meet Blaine.

MacKay says he remembers the five-minute meeting with his hero in such detail that he can still play it like a short movie inside his head. It ends with Blaine grabbing a blue pencil and a piece of paper, and in a matter of seconds drawing a cartoon of Trudeau.

“I thought, ‘This guy is incredible,’” MacKay says. “I still have the drawing.”

Blaine’s wife, Ildiko Horvath, said Blaine was “a very hard worker. Sometimes he would get an idea and draw it and later on think of something else. He’d tear it up and start again and he would come home at 10 o’clock or 11 o’clock when he was finally finished.”

Former MP and cabinet minister Sheila Copps said: “He was an unbelievably talented artist, and a great motorcyclist. He gave me my first ride on a bike, home from my summer job at The Spec. His cartoons really captured the essence of the moment. Several of his cartoons about my time in politics are framed prized possessions.”

Former Mayor Bob Morrow said: “He had a following that would turn to see what he had drawn in the paper before turning to anything else. He was a very nice fellow and a great depicter of the events of the day.”

Jack MacDonald, who died in 2010, used to say he treasured the political cartoons that Blaine drew of him during his time as mayor. His favourite was published after an election win and pictured the new mayor crawling into bed with a big ceremonial chain around his neck and his wife, Jessie, remarking, “You can’t wear that thing to bed.”

MacDonald — who wrote a regular column for The Spec in the 1990s, working out of the same editorial page office as Blaine — once told a reporter: “If you knew him, you knew he was a happy-go-lucky kind of guy. If you crossed him, he would be very upset about it. But there was no malice in him. There was humour.”

MacKay says Blaine had a different sense of humour than political cartoonists today.

“His cartoons weren’t nasty,” he says. “He used more of a whimsical approach. It was kind of a Rich Little kind of humour compared to the more cutting, crass things you see on late-night television.”

Horvath said recent years had been difficult for Blaine. He couldn’t speak and suffered from partial paralysis. He had been admitted to the Juravinski Hospital because he was having trouble breathing. He died at about 8 p.m. after watching part of the Super Bowl on television.

“You know how some people can predict things? He always used to say that he wanted to live to 74,” she said. “And he did.”

As well as Horvath, Blaine is survived by a daughter, Tana, and son, Kirk. Visitation will take place Thursday from 2 to 4 p.m. and 7 to 9 p.m. at Bay Gardens Funeral Home, 1010 Botanical Dr., Burlington. The funeral will be held there at 11 a.m. Friday. (Source: Hamilton Spectator)

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Thursday July 21, 2011

July 21, 2011 by Graeme MacKay

By Graeme MacKay, The Hamilton Spectator – Thursday July 21, 2011

The hottest day ever?

With a Stage 3 heat alert, thousands across Hamilton — from city workers to youth soccer players to the elderly — are bracing themselves as temperatures are set to climb to 37 Celsius. But with the humidex, it will feel like 48.

That’s as hot as Austin, Texas, as Dubai or Jerusalem.

While temperatures are measured at the airport, they could be slightly higher in other parts of the city.

The semi-good news is that there is a good strong breeze at 21km/hr. However, Dave Phillips, senior climatologist at Environment Canada said that at temperatures 37 C and higher, “the wind really becomes a disadvantage,” as it just blows hot air instead of evaporating sweat to cool us off.

Hamilton could break a record for hottest day ever today as temperatures could go above the projected high. The honour currently goes to a July scorcher in 1911 when the thermometer topped 41 C, according to Environment Canada.

Michael Chater doesn’t usually mind the heat. He’s decided to throw in the cold towel and head to a motel.

“I don’t have any air (conditioning), I’ve been meaning to get it,” he said Wednesday. “I have fans, but it was 31 in there (the house) the last time I looked.”

Phillips said in past heat waves, it’s the temperatures still steaming at night that cause the most problems. With a high of 37 and a low of 25, Thursday’s average expected temperature is 31 C. Until now, Hamilton’s highest average (since 1959) was recorded on Aug. 1, 2006 when the mercury hit 29.6 C.(Source: Hamilton Spectator)

Saturday, September 6, 1997

September 6, 1997 by Graeme MacKay

Meet the Spec’s new cartoonist

The Hamilton Spectator — Saturday, September 6, 1997

“Great drawings — and he’s local.” That was our first reaction when freelance artist Graeme MacKay, then of Ancaster, started sending his caricatures to The Spectator in early 1995. Their use became more frequent until this summer, MacKay was brought on staff as editorial cartoonist to brighten our Opinion Page with his fine, funny, often biting cartoons.

It’s been a long apprenticeship. Born in 1968, MacKay grew up in Dundas, he was always something of a “news geek” and he was the kid who never stopped doodling. He would draw his teachers and classmates, a sure way to win a chuckle or two. In Grade 4, he drew the whole class, and ran off photocopies for them all, on demand. He also attended junior art classes at the Dundas Valley School of Art in the late 1970s.

Perhaps fitting for a future editorial cartoonist, Graeme went to work as a butcher, at the University Plaza Miracle Mart. But he was cut out for a different future.

At the University of Ottawa from 1987 to 1991, he submitted cartoons to the student newspaper, The Fulcrum, and went on to become the graphics editor. In 1992 he went to Europe with sketchbook in hand and honed his skills. But he also put in time as a bacon butcher at luxurious Harrod’s department store in London.

After returning to Canada in 1994, he worked for the Ancaster News and began submitting cartoons to other newspapers, with growing success. A close call with a sawblade in 1996 convinced him to abandon butchery and devote all his time to cartooning, moving to Toronto to do it. He has since been published in major daily newspapers across Canada plus the Chicago Tribune and Denver Post.

As The Spectator’s full-time editorial cartoonist, MacKay hopes “Hamilton is mature enough to laugh at itself.” He intends to provoke and make a point, but mainly, he hopes to be funny.

He’s also convinced that if he’s done his job well as a cartoonist, he won’t ever have to explain his work.

“I prefer to keep my mouth shut and let my pen do the talking.”